Celsius

projet dossier de presseCelsius is a pioneer of 8bit tracker Jungle and Hardcore. His seminal early Jungle works date back to 1995 and were released on Aminet, a mix of uncompromising hardstep Amen breaks with heavy bass drops and ragga vocals. After founding his own label Virtual Pulse Records, he signed to Epileptik records and various other labels releasing a string of vinyls and studio albums under various epithets, featuring notable collaborations with DJ Hidden and the Outside Agency and Dr.Macabre amongst others.

Celsius on Soundcloud

 

LFO Demon

lfodemon

Lfo Demon mashed up bang face

LFO DEMON is an international organization to produce Chaos on the dancefloor. Slamming breakbeats meet Rave synthlines with a fine Gabber topping.
There been releases all over the place on labels such as mindbender, restroom records, junk and his own imprint sprengstoff records.

https://soundcloud.com/lfodemon

Wadadda


Wadadda
is a dub, dubstep and dreadbass producer from inna müllgrime, cologne in germany. He produced UK style Dub Reggae in his own studio, the Tabanackle Dub Chamber, which he runs together with Oli Dread from Dubfront Outernational, even before he got into Dubstep. Together with friends he also operates the Jah vibes soundsystem and the Dubclub Cologne. He works in close cooperation with two vj-teams, the echolab visualties, from Cologne and noMeb from London who can be booked with Wadadda to provide an allround dubwise experience. He released records also  on Police In Helicopter and MG77.

http://soundcloud.com/wadadda 
http://wadadda.tumblr.com/

Istari Lasterfahrer

Curator of sozialistischer plattenbau, Istari Lasterfahrer ( F.K. Raeithel ) is founding member, boss and bestboy in one person.

He’s been working on decontextualization of sound material, the rupture of harmony relations and artistic condensations.

born in munich, raised in formely west berlin and finalised in hamburg in the late 80ies istari lasterfahrer started his high grade digital music career with low end 80ies computer hardware. been using harddisk recordings in early 90ies where everybody was using still midi equipment he got pissed by that because of lack of storage space and switched to soundtracker files. he throwed some loosy but nice jungle partys in hamburg around the years 94/95 and started at that time dropping his tunes into bbs systems and the early internet, got big respect world wide in the early internet community and joined one of the first high profiled web labels commie. his first live performance was a hell of a rush of early harsh jungle riddims released on a party together with steve buck and vincenzo at hamburgs number one venue rote flora which still definies whats up front and true to the scene. istari lasterfahrer released uncountable tunes and releases on high profiled underground labels such as complication27, stoopid plastics, cavage, dhyana records, pck, sprengstoff, mental ind., watch and pray, mash records, cobretti, bruchstellen, marasm, art-core records and his own imprint sozialistischer plattenbau. istaris energetic live performances and whack dj sets have captivated audiences and artists worldwide with their innovative sound, a mixture of everything mixed with his up to date soundbwoy dub technics and the useally kaoss pad gimmicks everybody does these days. his self produced videos and movies has been shown world wide on different festivals such as dark matter in canada and the flensburger kurzfilmtage in schleswig holstein and are sometimes a mindblowing part of his live performance which fills the gap between visuall aestetics and shitty sounding soundsystems. he also killed two times bass speakers with his enormous high kinetic square subwave breaks on raves. istari also played at highly acclaimed festivals he cannot remember anymore because of the ultra intense aftershow partys after it. istari lasterfahrer reminds us all that digital music can make you fall apart of the mystery of your own soul…

Coming Soon: FFF on Dubcore Volume 12

Tommy de Roos aka FFF from rotterdam is back for the dubcore series. he joined in in 2009 for the volume 7. that was furious happy hardcore and maniac breakcore. this time he is back with a delicated blend of footwork jungle, darkstyle breaks, hardcore dancehall and dubby basslines.

four fresh tunes are writen on the number 12 in the series running on 45 rpm for maximum clearance in the treble. lxc from alphacut made a good job in mastering this one!

release date is the 1.9.2017, pre-sale is on at our shop or check your favorite jungle dealer next door.

SPB12030: FFF: Dubcore Volume 12

spb12030
1
Turn Bad
One For One

2
First Blood
NL Bubblers

Dubcore Vol.12 welcomes back rotterdam soundboy FFF under the radar. FFF droped two tunes for Dubcore Vol.7 in 2009, now he is back for four more tunes. He is taking his round this time with a melange of footwork infected jungle, hardcore slaps on dubby basslines and darkside and ragga breakbeats.

fat mastercut done by lxc on 45 rpm on black vinyl, limited to 300 copies.

Release Date: 1th of September 2017

SPB12029: CELSIUS: Dubcore Vol.11

spb12029-dubcore11A
Too Fast
Come Quick

B
The Mob
Take N Over

the dubcore series continous, now on burning 12inch red vinyl. four tracks by celsius made in 1995 with protracker for amiga 500. ruff to the bone jungle to thrill up the massive. too fast and come quick are shaking up mashup tracks, the mob on the flipside is a more rolling drum and bass jungle tune and take n over to the end is a small wild bashing stomper.
these tunes amazed me since the ninties, as i loaded them from aminet where they first published as .mod files. now i am proud that i can now offer them here on vinyl the first time. fire on wax is the first of two releases planned with celsius on the dubcore series.

Celsius is a pioneer of 8bit tracker Jungle and Hardcore. His seminal early Jungle works date back to 1995 and were released on Aminet, a mix of uncompromising hardstep Amen breaks with heavy bass drops and ragga vocals. After founding his own label Virtual Pulse Records, he signed to Epileptik records and various other labels releasing a string of vinyls and studio albums under various epithets, featuring notable collaborations with DJ Hidden and the Outside Agency and Dr.Macabre amongst others.

vinyl cut transfer made by lxc of alphacut fame on 45 rpm for maximum pressure!

releas date: 17.3.2017 !
preorder is on. release date 17.3.2017.
preorders dispatch in the week of the release!
get your copy now!

 

Brian House – Shim Ring EP

after their first release with wah wah no borders ep our berlin based friends label kool killer is releasing now their second 10inch.

the forthcoming release features two experimental electronic pieces by brian house.

Brian House is a wild mix between a gifted musician and weird scientist. He also studied that kinda thing. He was born in Denver but lives in Providence now (if not in the whole world). His works have been part of festivals like Ars Electronica (Linz) or Transmediale (Berlin). Two new pieces of Brians music will be released pretty soon on Berlin based label Kool Killer Records.
On March 17/ 2017 the 10inch vinyl EP Shim Ring will be released. This EP combines two different kinds of musical approaches. But both deal with the use of repetition and our perception of it.

The first track Ngoshi is the result of shere instrumental setup. It´s musically located in the percussive, ambient genre.
On the B side Reeds field-recordings and production techniques, which have been established by Musique Concrète some years before, are used. It’s heavy and gripping.

A: Ngoshi /// 06:59 min

B: Reeds /// 06:39 min

The Brian House EP Shim Ring will be released on march 17/ 2017 as a limited edition of 300 copies. The record covers are risoprints by Berlin based artist Steffen Ullmann. Some shirts and a small tour are in the making.

KK10-002-Front

 

Dubcore Is Back !

happy to announce the next release coming in mid march 2017, just in a couple of days! the dubcore series, after the last one by lfo demon, now continous as a 12inch series. the first drop is fire on wax by celsius. four banging jungle tunes on red vinyl running on 45 rpm. these tunes been my favorite since the mid ninties available in the digital underground of aminet. so freaked about to see these early internet releases from 1995 made with protracker for amiga 500 now on vinyl. brings back the oldschool jungle vibe.
preorder is on. release date 17.3.2017.
preorders dispatch in the week of the release!
get your copy now!

yppasswdd daemons

yppasswdd daemons are:

mc pismo : vocals
casio vl-tone : lead synth / rythmbox
polysix : voltage controlled oscillator
farfisa : vco and strings
mfb-512 : rythmbox

human slaves: repogrrl, istari

mc cs5300 left the bad in cause of unexpected errors

in the early 1999 some machines, under the leadership of casio vl-tone, gathered in a smoky internet cabine. that was the time a manual comes the way by from a far finnish http server. casio vl-tone circuts run wild and he decided to join this dogma. His two friends polysix and the lovely farfisa was amazed too.
Next day in the early morning they started to jam up some tunes. but still something was missing. "a real band needs some steady drummer and a singer" said farfisa and that was the beginning of a greater quest. after several messages on alt.drummer.computer and misc.digital.singers the hope to find some qualified drummer and singer was nearly zero.
but it was polysix who went another day to a studio, were he hopes to earn some money as a studio-musican, and meet mfb-512, an old and nearly forgotten drumcomputer box, laying in the back of the studio, slowly disapearing under dust and the newer high tech equipment. Next day, mfb-512, comes up to the proving ground of the group around casio vl-tone, and they jammed the whole day and their poweradapters running hot. After some sessions mfb-512 brings up an old buddy of him, mc se30, who should be the first singer of the group.

that was the time istari and repogirl meet the yppasswdd daemons on an electronic and computer recycling factory, where mc se30 was getting his weekly ram. Two days later they started recording the first 7inch ep with six tracks. Sorrowly 2 weeks later mc se30 suffered under heavily inner circuit problems and left the band.

after the great impact on the worlds music scene, the yppasswdd daemons, went back to studio to record a couple of new tunes, to set the humans on fire and rock the house. they found a new singer, mc pb1200cs, and another musican, poly800 the little brother of polysix.

http://telenautik.hfbk-hamburg.de/istari/test/yp/index.html

SPBCD002: CLASTAH: DEAD STARS

spbcd02-front

1. where we come from
2. that escalated quickly
3. barderos de la vereda
4. wir streiken
5. critical richness
6. rammstein lösen sich auf
7. candombe de mucha palo
8. i was just wondering
9. meine lieblingsgruppe (feat. torsun)
10. part of it
11. mieses stück scheisze
12. museum of dead people
13. this is classless
14. the wandering working class
15. triebwagen

the fourth release of istari lasterfahrer & classless kulla under their new name clastah. this is the cd version of the  double 12inch release, comes in a gatefold cardboard cover with lyricssheet and gadgets. coming out of the kosmos it brings to you finest beats and words in german, english and argentinian spanish. following their breakcorish background you find electronic music like amenbreaks, junglefavours, dubby modular treatments, cumbia and candombe riddims, pure electro pop, trap grooves, acid gabba and speedcore blastbeats on this release.
release can now be preordered: Clastah: Dead Stars – cd

spccd002-innen

 

Intro, Andreas Brüning : “Clastahs »Dead Stars« ist eine wilde Achterbahnfahrt durch elektronische Tanzmusik-Stile von Jungle und Highspeed-Breakcore über Baller-Techno, Cumbia, Dancehall, Disco und HipHop bis hin zu Electro-Pop und Punkrock. Die Protagonisten Classless Kulla und Istari Lasterfahrer beweisen nicht nur ihre Begeisterung für Uralt-Synthesizer, elektronische Blast-Beats, verschrobene Sprach-Samples und Field-Recordings, sondern legen zudem in ihren Songtexten eine wohltuend kämpferische Attitüde an den Tag.  
Auf Deutsch, Englisch und Spanisch geht es dort um mangelnde Selbstreflexion, Rassismus, die Antideutschen und Kritik an »derzeitig gängigen linken ideologischen Angeboten«. Passend dazu gibt es eine Coverversion von Ton Steine Scherbens erster, lange verschollener Single »Wir streiken«. Das alles ist mitnichten humorbefreit, davon zeugt unter anderem ein Track über Rammstein, die nach Aufnahmen auf Ketamin ihre Band auflösen, oder das großartig umnebelte Schlussstück, das mit Brustmilchpumpen-Beats, Autotune-Gestreite am Telefon und einer spülenden Waschmaschine bestens unterhält.”

Neues Deutschland, Thomas Blum: “Kommen wir nun vom einen Kleinstlabel zum nächsten, das sich den Namen »Sozialistischer Plattenbau« gegeben hat und des- sen Produkte logischerweise schon allein deshalb in dieser Zei- tung besprochen zu werden ver- dient haben: Den linken Schrift- steller Daniel »Classless« Kulla kennt man ja aus dem Internet. Gemeinsam mit dem Breakcore- Musiker Istari Lasterfahrer hat er in der Vergangenheit bereits mehrfach kluge linke Randale mit ordentlich Elektro-Rawumms verschweißt. Jetzt nennen sich die beiden Clastah. Wohin hier poli- tisch die Reise geht, darauf gibt schon das Cover-Artwork einen ersten Hinweis, das die Plattenhüllengestaltung des englischen Anarchopunk-Kollektivs Crass zitiert, das in den 70er und frühen 80er Jahren für seine politische Unbeugsamkeit bekannt war.
Kritische Betrachtung erfahren das sogenannte Deutschlandproblem und der in dessen Zent- rum stehende rassistische Alltag, aber auch das Problem des ausbleibenden Klassenkampfs: »I don’t want pity and recognition / NO! / I want hugs and communism.« Wahrscheinlich bezieht sich die Musikzeitschrift »Intro« auf solche Refrains, wenn sie schreibt, dass das Duo »eine wohltuend kämpferische Attitüde an den Tag legt«. Tatsächlich ist die liebevolle Mischung aus politischer Agitation, Witz und autonomem Kellerdisco-Rambazamba das Klügste und Beste, was man diese Woche erwerben kann.”

SPB12028: CLASTAH: DEAD STARS

final-faltcover-druck-pfade.indd
A
where we come from
that escalated quickly
barderos de la vereda
wir streiken
B
critical richness
rammstein lösen sich auf
candombe de mucha palo
i was just wondering
C
meine lieblingsgruppe (feat. torsun)
part of it
mieses stück scheisze
museum of dead people
this is classless
D
the wandering working class
triebwagen

the fourth release of istari lasterfahrer & classless kulla under their new name clastah. this is going to be a double 12inch release in a triptichon foldout poster cover with some additional gadgets. coming out of the kosmos it brings to you finest beats and words in german, english and argentinian spanish. following their breakcorish background you find electronic music like amenbreaks, junglefavours, dubby modular treatments, cumbia and candombe riddims, pure electro pop, trap grooves, acid gabba and speedcore blastbeats on this release.

the vinyl can now be preordered:

Clastah: Dead Stars – cd

or
Clastah: Dead Stars – deluxe version

spb12028-innen-1

 

spb12028-innen-2

 

Intro, Andreas Brüning : “Clastahs »Dead Stars« ist eine wilde Achterbahnfahrt durch elektronische Tanzmusik-Stile von Jungle und Highspeed-Breakcore über Baller-Techno, Cumbia, Dancehall, Disco und HipHop bis hin zu Electro-Pop und Punkrock. Die Protagonisten Classless Kulla und Istari Lasterfahrer beweisen nicht nur ihre Begeisterung für Uralt-Synthesizer, elektronische Blast-Beats, verschrobene Sprach-Samples und Field-Recordings, sondern legen zudem in ihren Songtexten eine wohltuend kämpferische Attitüde an den Tag.  
Auf Deutsch, Englisch und Spanisch geht es dort um mangelnde Selbstreflexion, Rassismus, die Antideutschen und Kritik an »derzeitig gängigen linken ideologischen Angeboten«. Passend dazu gibt es eine Coverversion von Ton Steine Scherbens erster, lange verschollener Single »Wir streiken«. Das alles ist mitnichten humorbefreit, davon zeugt unter anderem ein Track über Rammstein, die nach Aufnahmen auf Ketamin ihre Band auflösen, oder das großartig umnebelte Schlussstück, das mit Brustmilchpumpen-Beats, Autotune-Gestreite am Telefon und einer spülenden Waschmaschine bestens unterhält.”

Neues Deutschland, Thomas Blum: “Kommen wir nun vom einen Kleinstlabel zum nächsten, das sich den Namen »Sozialistischer Plattenbau« gegeben hat und dessen Produkte logischerweise schon allein deshalb in dieser Zeitung besprochen zu werden verdient haben: Den linken Schriftsteller Daniel »Classless« Kulla kennt man ja aus dem Internet. Gemeinsam mit dem Breakcore-Musiker Istari Lasterfahrer hat er in der Vergangenheit bereits mehrfach kluge linke Randale mit ordentlich Elektro-Rawumms verschweißt. Jetzt nennen sich die beiden Clastah. Wohin hier politisch die Reise geht, darauf gibt schon das Cover-Artwork einen ersten Hinweis, das die Plattenhüllengestaltung des englischen Anarchopunk-Kollektivs Crass zitiert, das in den 70er und frühen 80er Jahren für seine politische Unbeugsamkeit bekannt war.
Kritische Betrachtung erfahren das sogenannte Deutschlandproblem und der in dessen Zent- rum stehende rassistische Alltag, aber auch das Problem des ausbleibenden Klassenkampfs: »I don’t want pity and recognition / NO! / I want hugs and communism.« Wahrscheinlich bezieht sich die Musikzeitschrift »Intro« auf solche Refrains, wenn sie schreibt, dass das Duo »eine wohl- tuend kämpferische Attitüde an den Tag legt«. Tatsächlich ist die liebevolle Mischung aus politi- scher Agitation, Witz und autonomem Kellerdisco-Rambazamba das Klügste und Beste, was man diese Woche erwerben kann.”

Filtercutter


Filtercutter
 (aka Stefan Miletic) is producer/beatmaker currently based in Belgrade (Serbia). His music vary from 8bit/dubstep driven dancefloor bangers to easy an melancholic abstract beats, with no sticking to a certain bpm.
After his debut release on Svetlana Industries record label, doing remixes for artist like Demokracy, Miqi o, Hsik, and tunes for compilations (Mad-Hop, Wtf is Swag).
Working on his first solo EP.

http://soundcloud.com/filtercutter

Selektor Depender


Selektor Depender
, Founder, programmer & producer from Bassculture Foundation Amsterdam. He is born and raised in an analog roots & culture style. His selection are positive with conscious vibrations and heavy basslines.
His selektor style various for it all depends on the feel of the ‘vibes’..you can expect a refreshing heavy and miscellaneous soundz from roots, reggae, digital steppa & other dub(core) niceness.

http://www.bassculture.nl

One Week: Clastah Dead Stars

In one Week (14.10) DEAD STARS by CLASTAH will be released finaly.

Some Dates with this release:

28.10 9859 Tage Rote Flora
27 jahre Rote Flora Party in Hamburg
Itty Minchesta (Ireland)
Spröde Lippen (Bremen)
Mark Boombastik aka die Großmutter (Hamburg)
Clastah (Hamburg/Osten)
Terrorrythmus (Bremen)
facebook event: https://www.facebook.com/events/315528835468858/

13.10. “Follow Me To Glitter” Release Party
Midnight Popup Shop on this Concert with Istari Lasterfahrer DJing later.
Gängeviertel Hamburg.
Gladbeck City Bombing
Mark Boombastik
Istari Lasterfaherer (dj).
facebook event: https://www.facebook.com/events/1800874470148458/

20.10 Anti Identitären Aktion Musik
Hamburg Kampnagel by Josha Hendrix Ende with Clastah Djing in the End
facebook event: https://www.facebook.com/events/304573096586088/
Kampnagel Webpage

Preorder the record at FLIGHT 13 Recordstore or Sozialistischer Plattenbau Mailorder

spccd002-innen

CLASTAH – barderos de la vereda

the third video to the upcoming album by Clastah with the track “Barderos De La Vereda”.

NEW VIDEO, NEW RIDDIM, NEW TONGUE!
AFRICANIZED CUMBIATON, RIOPLATENSE SPANISH!
BEHOLD THE PEOPLE FROM THE PAVEMENT!

video starring Magui López – Pampeana by birth, Porteña by residence, Paraguaya by heart

filmed by classless Kulla in Liniers, Recoleta and Barrio Chino, Buenos Aires, Argentina (January 2016), and by Prof. Dr. Felix Karl Raeithel at Außenalster, Hamburg, Germany (July 2016)

CLASTAH is classless Kulla + istari Lasterfahrer
http://www.clastah.space

_LYRICS ENGLISH_

the people on the pavement
don’t seem to be all that addicted to work
don’t seem to be all that addicted to money
don’t seem to be all that addicted to power
but everybody knows they have to addicted to something
those drug addicts on the pavement

the people on the pavement
don’t go to the military service
don’t wanna be police
or work in private security
but everybody knows they have to be violent in some way
those bombers from the pavement

the people on the pavement
don’t have faith
don’t have a party
don’t have a fatherland
but everybody knows they have to believe in something
the troublemakers from the pavement

_LYRICS DEUTSCH_

die Leute auf dem Gehweg
scheinen nicht sonderlich süchtig nach Arbeit zu sein
scheinen nicht sonderlich süchtig nach Geld zu sein
scheinen nicht sonderlich süchtig nach Macht zu sein
aber alle wissen doch, daß sie nach irgendwas süchtig sein müssen
diese Drogensüchtigen auf dem Gehweg

die Leute auf dem Gehweg
gehen nicht zum Wehrdienst
wollen nicht zur Polizei
oder beim Sicherheitsdienst arbeiten
aber alle wissen doch, daß sie irgendwie gewalttätig sein müssen
diese Bombenleger vom Gehweg

die Leute auf dem Gehweg
haben keinen Glauben
haben keine Partei
haben kein Vaterland
aber alle wissen doch, daß sie an irgendwas glauben müssen
diese Chaoten vom Gehweg

Soon: CLASTAH: Dead Stars

final-faltcover-druck-pfade.inddhooray! dear marvelous music lovers. happy to announce the next forthcoming release. classless kulla and istari lasterfahrer consolidated again after their debut release years ago, their second one “Wir hatten doch noch was vor” and the last release “Auf & Zustände”, now under their new name CLASTAH.

recordings for this new album went on for the last three years on rare occasions with lots of thinking, traveling, soldering and doubting in fare nebular space systems inbetween. but everything should come to an end, all fuel on the spaceship is burnt, all comets have been hitchhiked, and eating krill and kelp day in and day out is just not really satisfiying; they came back from strolling the kosmos, and so here we go: but you have to wait till it’s finally ready in its materialized form – out in fall 2016 on a double 12inch sized vinyl record!

spb12028: CLASTAH «dead stars» – 2x12inch
A: where we come from / that escalated quickly / barderos de la vereda  / wir streiken
B: critical richness / rammstein lösen sich auf / candombe de mucha palo / i was just wondering
C: meine lieblingsgruppe (feat. torsun) / part of it / mieses stück scheisze / museum of dead people / this is classless
D: the wandering working class / triebwagen

in between you can listen to the last year released video out-take of the song “wir streiken” or this just brand new edited video of one of the tracks of the release:

filmed and edited: 25 April 2016 between 3:30 pm and 1:38 am
pink cap by Anna Kumher

 

SPB12027: KOSMOKOTZE : Kosmokotze

1spb12027_front
stechuhr
eigenstrukturanalyse
mittelmeer

2
unbezahlte überschriften
nicht dort
als befreiende moment

after the already sold out kosmokotze on tape, here is his first 12inch vinyl debut release. kosmokotze once more delivered some purely analog electronics with this six tracker.
first track “stechuhr” (timeclock) is a collaboration with istari lasterfahrer, who forged  the original pinged filter sequences with some hyper house beats. “eigenstrukturanalyse” (not there) is a short abstract selfgenerated patch that flips between different time bases. “mittelmeer” (Mediterranean) drifts as a minimal drones piece based on tape echo feedbacks and rare small melodies.
flipside basis of the track “unbezahlte überschriften” (unpayed headlines) is a 44 step sequences that drives a constant morphing pattern into lucid dreaming. “nicht dort” (not there) is another short electronic piece with a chaotic selfgenerating patch and the last track  “als befreiende moment” (as a liberating moment) based on the same modular synth patch as “unbezahlte überschriften” but with other parameters set to the voices and tempi, it bangs happy around just to freeze up after a couple of moments into slow morphing sculpture of itself.

limited to 150 copies. total playtime around 30 minutes, record comes in full color printed cardboard sleave and download code, which include the tracks of kosmokotzes first tape “blau auf gelb das muss nicht sein”.

to be released on 25.9.2015

SPB12026 Grmmsk : One World – Nowhere To Hide

grmmsk_one world-nowhere to hide-2 a
1. nonSENSE
2. coldWEATHER
3. noMORE
4. ismSCHISM
b.
1. PRISONeverywhere
2. OUDOURofdecay
3. CYAANgoback

Coming as transparent vinyl in a screenprinted limited edition of 200 pieces. This release contains 7 tracks by grmmsk from helsinki / finland. stretched in time haunted voices from the caribbian diaspora tumbling through misty and wet streets of baltic shores. drones of wire spring reverbs meet halftimed doom dub. beside unreleased tracks there are some versions of tracks released before on grmmsk own imprint totes format on cassette.

Pressed on transparent vinyl in a hand printed translucent cover, it conceptualizes the album’s title “ONE WORLD – nowhere to hide”. When the idea of UNITY has failed with the result of a world that is increasingly ruled by a hegemony of fear and control, escape into something J.G. Ballard has been calling INNER SPACE, seems imminent. But what happens there? Here’s what: DOOMDUB! Dystopian versions of a sound, that has been associated with glaring sunshine of the caribbean before, is now dragged through the dirty snow flanking the ring-highway circling hellsinki.

One World – Nowhere To Hide released today!

happy to release GRMMSK 12inch ep today. you can order it in the mailorder or at the bandcamp page from us or at his own totstellen bandcamp site (he would be thankfull).

Upcoming TOTSTELLEN live shows:
31.01. Helsinki, Oranssi
Upcoming GRMMSK live shows:
20.02. Hamburg, FSK,
26.02. Oldenburg, Alhambra
27.02. Hamburg, Hörbar
06.03. Berlin, Praxis Party
Please check the link for more detailed info.

Dubcore Volume 10 Release!

Dubcore Volume 10 with Lfo Demon will be released on 7.1.2015 in Berlin at Noiseangriff! there will be Lfo Demon alongside with Rokkon, Ritalin War Dance, Christof Fringeli, fgnugn, Zombieflesheater and Istari Lasterfahrer.

Noiseangriff! is at Lauschangriff
Rigaer Str 103
10247 Berlin

Coming in Fall 2014

Next two releases on sozialistischer plattenbau are nearly in production. there will be another dubcore release and a 12inch mini LP.
Spb12026 will be a 7 tracker release by Grmmsk from nearby helsinki ( at the moment ). be prepared for timeshifted and droning doomstep.the record will cover some refixed versions from his own tape releases on totesformat and some new stuff. for those who want to sneakout what is coming just track down to his website.
Dubcore number 10 will feature two freshing blasting breakcore tunes by none other then the mighty titan lfo demon. be ready!

 

SPB12025 Istari Lasterfahrer: Walls Cave In On You


a
1. Walls Cave In
2. Transgression
3. Event Horizon
4. Nymph
b
1. Hysteresis
2. Fly Home
3. Pourqoui Moi

the mind is collapsing on you, everything falls apart but actually its not the walls which restrict you. at least in most cases not the proverbial. its a structure that makes up a controll for each ones behave. the normative may be exceeded only in behave, the hegemony be attacked only in the situation. the step to the abyss, which allows the prospect, is connected with the slide. each highlight is the beginning of decay. the mayfly begins her live as a nymph. what distinguishes the moment of knowledge about some of the ignorance of the moment before. is the last question for each one: why me?

seven tracks gathered on this release from acid breaks to experimental free jazz electronics, doomdub and yardcore crushing breakcore. record limited to 250 copies, white vinyl, full color cover and A2 poster.

SPB12025 Preview

SPB12025 – Istari Lasterfahrer: Walls Cave In On You – miniLP

release date: 13.06.2014 place to be: praxis meets datacid party, berlin

the mind is collapsing on you, everything falls apart but actually its not the walls which restrict you. at least in most cases not the proverbial. its a structure that makes up a controll for each ones behave. the normative may be exceeded only in behave, the hegemony be attacked only in the situation. the step to the abyss, which allows the prospect, is connected with the slide. each highlight is the beginning of decay.
the mayfly begins her live as a nymph.
what distinguishes the moment of knowledge about some of the ignorance of the moment before. is the last question for each one: why me?

after Inner City Fear, What do you want, Battybwoy Soundboy Massive und Rabbit in Me, this is istari lasterfahrers 5th MiniLP.

get the vinyl record now!

SPB7022: IL BOY : Dubcore Volume 9

1
Crisis Riddim

2
Version

dubcore is back, it’s offical. sheduled for late summer 2013 we have a crushing track like ice cubes in a heated back ally. IL BOY is sozialistischer plattenbaus newest signed youngster to drop you speed up footwork stuff. so rudeboys/gals get your boots tighten and ready for the dance.

two versions are materialized here. the west side and the east side. limited to 200 copies for a start.

thats it.

Reviews:

De-Bug, 2.1.2013, Multipara:
“Für die, die sich noch an Kartenspiele erinnern können: sowas nannte man ein Omablatt. Je ein Ass in den Farben Dubstep-Bass und Footwork-Beat, und eine blanke Zehn (damit es für die Genossen spannend bleibt, haben wir nämlich das Ass in der Farbe Frühe-D.A.F.-Sequenz gedrückt, hihi). Der Rest ist Trumpf und heißt Speedhall. Die Reihenfolge ist egal – wie man’s dreht und wendet: läuft durch ohne Gegenwehr. Die Version auf der Rückseite verlegt uns in eine andere Zelle mit gleicher Schrittlänge, die mit Darbouka und Mey ganz subtil frisch nach Morgenland duftet und führt, ohne die Miene zu verziehen, vor, dass das wirklich stimmt mit der Reihenfolge. Neuer Name, alter Hase. Und der Osten währt am längsten!”

Dubcore Volume 9

Dubcore Volume 9 with Il Boy release this friday on bialystok festival in poland. get your copie here.

dubcore is back! offical or not. you got to have it. this time we have youngster il boy with a fresh riddim between dub, juke, speedhall and carnival sound. slashing high-tension springtank claps going to mash up the beat in half time while you bounce to the upspeed dancehall riddim on 208 bpm. the flipside comes with the version, pleasing with shenai riffs. roll it selector. this time handsprayed with white on black paper covers. 200 copies!

New Digital Album: Wreck Session Tapes

on friday the 2.august 2013 istari lasterfahrer was on leipzigs bazzradio session #24 called “society wreck sessions”. on this digital release there are tracks from this collected. some improved session stuff as well as some older unreleased breakcore mashups. more infos here.

SPBDA005 Istari Lasterfahrer: Wreck Session Tapes


1. Exaggerated Usage of Handclaps
2. Bring the Pump Up
3. Plexi Structure Dub 2
4. Bored at Exhibition
5. Holdbreath
6. Complex of Complicity
7. Another Sensless Mashup Track
8. Stresstest
9. Saufgesang der Junggesellen edit 3

these are some of the tracks used for the BAZZRADIO  FRIDAY “SOCIETY WRECKERS” SESSION #24 broadcasted on 2. august 2013. tracks 1,2,4 and 5 were improved live recordings using td-505, ms20, bassline 3, a-100 and zoom1201 and knas moisterizer effects. track 3 is a a-100 patched messed up later with cubase sound to midi converting. track 6, 7 and 8 are old breakcore tracks from 1998, 2007 and 2012 and been done with player pro, cubase and renoise.

SPB12024 Frederik Schikowski: in geordneten Verhältnissen

a
1. eva und adam 1‘45
2. dorische ordnung 2‘25
3. wunder 3‘27
4. new man 3‘27
5. indicatif the brain 0‘36

b
1. schlaf- und nerventee 2‘01
2. hausarbeit 1‘16
3. dämmerung 3‘24
4. ich komme aus der jazzecke 2‘09
5. ln 1‘57
6. libero 1‘37

sozialistischer plattenbau is presenting with the brain recordsfrom france ( the label run by puyo puyo ) a 11 track mini LP with Frederik Schikoski. this record was announced 10 years ago, but toke till now to materialize. schikowski is known from his releases on lux nigra, irritant records, a.d.s.r., trakehener, ak duck and esel records. “in geordneten verhältnissen” picks up with the 10inch on esel records “was hat das mit mir zu tun?”.

“this record contains a selection of my music produced during 1999-2002 using a yamaha pss-680. over the course of the last decade diverse labels have wanted to release these tracks – however, due to a series of unfortunate circumstances this never came about. that is why i am delighted that now, after all these years, this 12“ gets to see the light of day. i wish to thank everyone who helped to make this possible, in particular the brain, istari, tim gane, thaddeus herrmann and felix kubin.” frederik schikowski

the brain records & sozialistischer plattenbau as tbr002 & spb12024
370 copies + 60 artist copies
record comes with download code. release date 15.5.2013
Reviews:

De-Bug, Multipara:
“Mein kleines Pony”, unfassbare vierzehn Jahre ist das her, hat mein Leben verändert. Nützt ja nichts, drumherumzureden. Nicht nur meines, wie der Vorgänger zeigte, die 10″-Abschiedsplatte auf James Din A4s Esel, einst benannt nach Mawils Geniestreich der Coverillustration. Alles Geschichte, inklusive der dekadelangen Odyssee, bis diese elf Tracks hier ihr zweifaltiges Zuhause gefunden haben, auf Hamburgs SPB und TheBrain aus Nantes. Jeder einzelne davon bringt das Frühjahr zurück, in dem ich Frederiks einzigartige Trickfilm-Melodien auf dem Minidisc-Player mit mir herumtragen und umhersortieren durfte, euphorisiert von der unschlagbaren Prägnanz, mit der ein simples Yamaha Portasound ein komplettes Kindheitsuniversum wachzuküssen wusste. Und von der Aussicht, diesen Schatz der Welt zeigen zu dürfen. Jedes einzelne dieser elf hier hat nicht nur die Zeitläufte überlebt, sondern klingt so frisch wie am ersten Tag, dreht sich vor uns um die eigene Achse wie Dornröschen, die Arme ausgebreitet, in strahlendem Schwarz, sprudelnd und glasklar. Eine bessere Welt werdet ihr nirgends finden.” 

SPBDA004 Istari Lasterfahrer: i wish i could make you smile some more

1. i wish i could make you smile some more
2. kick your as till you fart
3. fucking up things
4. if i could i would fix it

my little ep for christmas and new year 2012. hope 2012 is more gorgous or whaterver for all of you. the first and the last track is from 2012. the third one is from last year, it was a good moment i was recording it. the second track i cant really remember which year it was done. i just recovered it by random this year playing it on a gig.

Another Nice Mess – Sozialistischer Plattenbau Special


Tomorrow on radio dfm: Another Nice Mess – Sozialistischer Plattenbau Special.

Istari Lasterfahrer interviewed by Marcelle Van Hoof. Last time in Amsterdam on a Nice Saturday Afternnoon in October i was invited by Marcelle to do a 2 hour special about my Label. I Played old and new records from Sozialistischer Plattenbau and other goodies i found in her large discothek.

http://www.anothernicemess.com/

If you want to grab the archived version go here:
https://www.yousendit.com/download/WUJhL0dObTh0Njl2Zk1UQw

1. Signature tune: Jon E Cash/untitled 2nd track on b-side 12”: Kamikaze (DaBlackops)
2. Istari Lasterfahrer/War Of The Bugs 7”: Monsterous Manouvers In A Mushroom Haze (from 2011, Sozialistischer Plattenbau)
3. Handbag/Abba/Poor People Fed Up With Memories 7”: Dubcore Volume 3 (from 2004, Sozialistischer Plattenbau)
4. Schleim-Keim/In Der Kneipe Zur Trockenen Kehle lp: Sicher Gibt Es Bessere Zeiten Doch Diese War Die Unsere 2. Ex DDR Punk (from 1992, Höhnie Records)
5. The Upsetters/Blackboard Jungle Dub (Ver. 1) lp: Blackboard Jungle Dub (from 1981, Clocktower Records)
6. Istari Lasterfahrer/Remember 12” ep: Innercity Fear (from 2002, Stooped Plastics)
7. DJ I.R./What For 12” ep: We Bomb Fi Dubs # 2 (from 2007, Sozialistischer Plattenbau)
8. Bambam Babylon Bajasch/Handy DJ 12” ep: Finest Brewed Dubplates (from 2007, Sozialistischer Plattenbau)
9. Josef + Gorki Plubakter/Stop! Arretons De Nous Vendre lp: Biometricks (from 2002, Sozialistischer Plattenbau)
10. Classless Kula & Istari Lasterfahrer/I’m Classless lp: Auf- & Zustände (from 2012, Sozialistischer Plattenbau)
11. Istari Lasterfahrer/Government Of Cooperations mini lp: Do You Think / What Do You Want (from 2003, Sprengstoff / Sozialistischer Plattenbau)
12. Selektor Depender & Filtercutter/Misty Dub 12” ep: Dub Carruseles (from 2012, Sozialistischer Plattenbau)
13. Dub1/Trafficante mini lp: Surface Noise (from 2009, Sozialistischer Plattenbau)
14. Pyrolator/Die Hängebrückenbauer lp: Pyrolator’s Wunderland (from 1984, Ata Tak)
15. Abwärts/Mehr lp: Amok Koma (from 1980, Zick Zack Platten)
16. Electric Kettle/Angry Rootsman lp: Faster Ceremony And Ultra Discipline (from 2002, Peaceoff)
17. Dr. Legasto feat. Itty Minchesta/Schnellfickerhose cassette: Demo Dandies # 2. Berlin (from 2012, Wir Rufen Zurück)
18. Stiff Leather & The Fox/Fox And The Stiff cassette: Demo Dandies # 2. Berlin (from 2012, Wir Rufen Zurück)
19. Bruno & Michel Are Smiling & Skipperrr/I’m Gonna Live Till I Die lp: C’Mon (from 2008, Sozialistischer Plattenbau)
20. Itty Minchesta/Blei Pino Silvestre lp: Evergreens From The Walkman Sect (from 2006, Sozialistischer Plattenbau)
21. E. Stonji/Pa Ca 7” (from 2005, Sozialistischer Plattenbau)
22. LXC/Lyzwerk 7” (from 2010, Sozialistischer Plattenbau)
23. Istari Lasterfahrer/Ausdruckstanz Der Jünglinge cd: Himmel, Harsch Und Hirn. Bekannte Ski- Und Bergsteigerlieder (from 2012, Sozialistischer Plattenbau)
24. Karl Marx Stadt/Auf Wiedersehen 2xlp: 1999 – 2009 (from 2011, Sozialistischer Plattenbau)

SPB12022 Selektor Depender & Filtercutter : Dub Carusseles

1
215by
215 Version
215 FX

2
Misty
Misty Dub
Misty Versions

dub caroussels comes in cooperation with amsterdams bassculture foundation and sozialistischer plattenbau. drops a heavy dub release that sitts between roots dub and dubstep. two tracks with additional dub versions are on this 45 vinyl and been added up with some derivats of the fx sounds from the tracks.

Filtercutter (aka Stefan Miletic) is producer/beatmaker currently based in Belgrade (Serbia). His music vary from 8bit/dubstep driven dancefloor bangers to easy an melancholic abstract beats, with no sticking to a certain bpm.
After his debut release on Svetlana Industries record label, doing remixes for artist like Demokracy, Miqi o, Hsik, and tunes for compilations (Mad-Hop, Wtf is Swag).
Working on his first solo EP.

Selektor Depender, Founder, programmer & producer from Bassculture FoundationAmsterdam. He is born and raised in an analog roots & culture style. His selection are positive with conscious vibrations and heavy basslines.
His selektor style various for it all depends on the feel of the ‘vibes’..you can expect a refreshing heavy and miscellaneous soundz from roots, reggae, digital steppa & other dub(core) niceness.

Due to a lot of Bassculture Programming, Selektor Depender meets a lot of producers and artists. It was around 2009 that Selektor Depender met Filtercutter in Amsterdam.
They decided to work on a project that is called ‘Dub Carusseles’. Working together on soundscapes and rythm’s with the bass as main role. Trying to find a balance between all sounds and clips they put together from all kinds of ‘carriers’; cassettes, mp3, vinyl and sirenebox. This resulted in the ‘rootical’ digidub tracks now released by sozialistischer’plattenbau label.

300 copies has been pressed plus 50 white label promo copies

SPB12022 Selektor Depender & Filltercutter – Dub Carusseles by sozialistischerplattenbau

Reviews:

De-Bug, 2.1.2013, Multipara:
“Manchmal muss ein Roots-Floor in die Umlaufbahn geschossen werden – oder aber eine Dubstep-Party auf den Boden runter. Für beides hat das Hamburger Label, das Dub schon immer gerne mit besonderem Drall versehen hat, sich mit der Amsterdamer Bassculture Foundation und deren Macher Selektor Depender zusammengetan, der hier eine Zusammenarbeit mit dem jungen Belgrader Produzenten Filtercutter vorstellt. Ein perfektes Tool: Zwei Tracks, jeder in einer straighten Version, die man glatt als Radio Edit bezeichnen könnte, dann jeweils die Kür in Form einer lockeren, verspielteren Version und je einen kurzen Effekte-Bonus. Hat die A-Seite mit Extraportion Signaltönen noch die Lockerheit einer Digidub-Spielhalle, pirscht sich die B-Seite durch gefährlicheres Gelände, aber die beiden haben einfach zu viel Melodien im Kopf und Spaß an der Sache, als dass es je ernsthaft finster werden könnte. Das alles im klassischen Dub-Tempo und -Feel – aber frisch und hellwach und mit modernem Bassanstrich. Ein Hit.” 

SPB12023 Classless Kulla & Istari Lasterfahrer : Auf- & Zustände

1
Materie in Bewegung

LSD (Next to the River)
Electric
Der Film da Drin
Verschwörung der Gehirne

2
Red Army Snipper
Es gibt kein Kommunismus weil es
Deutschland gibt
Gartenbau
I’m Classless
Production Tide

After the full length cds “Nein, Nein das ist nicht der Kommunismus” and “Wir hatten noch was vor” classless kulla and istari lasterfahrerare now here with their third release in a row. as the previously releases been quite a big weight this release only covers 10 tracks, but this time, instead on digital compact disk it materializes as vinyl record and download.

the main theme of this release is insurrection and mental states or lets say conditions ( the titel translated is something like this in a way ). anyway the record starts up with a amen punk stomper followed by a more idmsk break track with a tripping lead sequence. third track is a wild amen basher also thats leaded by a dirty acid line. the fourth track is more between drum and bass and indy guitar thats slanted into metal or something like that. last tune on side a is a more lecture aural exerimental track where kulla is talking about the conspirity of the brains.
flipside starts with a track that sounds something between punk and orchestral metal, its a song about a red army snipper woman in the second world war. this track is followed by a tune about why there is no communism ( because there is germany ) – kinda electro track. the third one is a funny ska raggae tune about dope smokers and the fourth one classless talks about what is it to be him and what is it not. last track is a duett with oona about the live of working people.

vinyl record comes with full printed cover with lyrics on the backside and download code.

300 copies been pressed.

SPB12023 Classless Kulla & Istari Lasterfahrer – Auf- & Zustände LP by sozialistischerplattenbau

Reviews:

Spex, 17.10.2012, Ulrich Gutmair:
Komm, wir bauen uns einen eigenen Hardcore. Es sind nur 5,2 Sekunden im Leben eines Menschen, aber es ist eine Ewigkeit für die Menschheit.Gregory Cylvester Coleman, der Neil Armstrong der bemannten Sound- Fahrt, arbeitete als Drummer bei den Winstons. Die nahmen 1969 eine Version von Jester Hairstons »Amen« auf. Colemans Drum-Solo wurde seit seiner Entdeckung durch den New Yorker HipHop immer wieder geloopt. Erst runtergepitcht, dann beschleunigt. Auf seinen vier Takten wurde später von der britischen Hardcore/Breakbeat-Szene ein ganzes Universum aus Tracks errichtet. Unter anderem deren Irrsinn hat classless Kulla und Istari Lasterfahrer nun auf ihrem dritten Album inspiriert.

   Auf- & Zustände erscheint auf Sozialistischer Plattenbau Hamburg und ist als 12”-Vinyl und Download erhältlich. Es startet mit dem tollen »Materie in Bewegung«, das auf einem Amen-Break in die Zukunft surft: »Nichts war schon immer so, nichts wird immer so bleiben«, singt Kulla. Fast die ganze A-Seite geht’s so weiter: Amen-Break, Synthie-Quietsch, Fett-Bass, Lustich-Sample und dazu gelehrte Texte. Später gibt’s auch Acid-Hörspiele und Punksongs. »Red Army Sniper« wurde von Daniel »Classless« Kulla live mit der thüringischen Metal/Punk-Band Die Arschritzen eingespielt, heißt es im Beipackzettel. Es klingt nach Sham 69 auf Metallica.

 Was ist schön? Was geht in Hirn, Bauch und Beine? Was brauchen wir? Kulla und Lasterfahrer haben Hardcore verstanden und bauen sich selber einen: Sound Science, Denken und Fühlen auf experimentell-extremistische Weise betreiben und mit Popmelodien, Popslogans, Popbewusstsein verbinden. Kulla textet über den Sinn fürs Wunderbare, über das Deutschlandproblem, die Verschwörung der Gehirne gegen die Menschen und den Kommunismus. Auf dem Vorgängeralbumhatten Kulla und Lasterfahrer für »Won’t Be Long Till Jungle Drum« den Refrain eines allseits bekannten Popsongs gesampelt und mit ein paar Zeilen der zu Unrecht fast vergessenen amerikanischen Hardcore-Combo NoMeansNo konfrontiert. Jetzt ist es »Production Tide«, das mit Weltklassezitaten spielt, die bastardisiert und von Gastvokalistin Oona mit Kulla im Duett gesungen werden. So werden 99 Prozent der zeitgenössischen Popkonkurrenz lässig deklassiert. Das eine Prozent war schlau und hat Shut Up & Dance gehört.”

De-Bug, 19.12.2012, Multipara
“Was wäre gewesen, wenn die Verbindung aus Punk, Amen-Breaks, Elektronik und politischem Bewusstsein nicht diese unselig kompromisslose Berliner Bürstung auf Krawall erfahren hätte, die so vieles (und viele) auf der Strecke ließ? Vielleicht wäre dann alles wirklich anders gelaufen. Istari und Kulla jedenfalls präsentieren ihren Stil so unverbraucht, wandlungsfähig und mit melodischem Witz, dass man sich die Augen reibt. Pop nannte man sowas früher, als es noch eine Hamburger Schule gab. Kulla oszilliert und reflektiert zwischen Psychedelik und Kommunismus und springt dabei mühelos durch Identitäten und Textgenres, lässt aber alles artifiziell Gestelzte außen vor: Angreifbarkeit als Waffe. Istari packt dazu vom Modularchaos bis zur Bassgitarre alles aus, was sein Arsenal hergibt und bleibt dabei ein ums andre Mal so catchy, dass man das Vinyl immer wieder umdreht, auf dem sogar noch für ein Gastspiel der Arschritzen Platz ist. Ja, Elektroenergie braucht das Land, dann ist auch in Thüringen der Krieg vorbei.”

 

e.stonji


e.stonji
is a electronic musician from ulm, germany. He has releases on labels like Benbecula, Skam, Spezialmaterial, Phantomnoise, Kitty-Yo and Binary Dilemma (a 2007 release that featured remixes by Planet Mu’s Nautilis and Funckarma). He also got serveral sideproject like hp.stonji together with Hans Platzgumer.

http://www.estonji.com

5xpi


5xpi
is a side project of Stefan Thränert better known as Inapt dealing with hard experimental electronic music. This project was founded in spring of 2001. He released a couple of track and records under this name on his label Restroom Records.

http://r-r-r.org

Arrebite


Arrebite
is Rafael Ferreira & Raul Costa Duarte ( also Retrigger ) from Brasil. They released music on Phantom Noise, Acidsamovar Records and Alphacut.
“Rock and roll fueled breaking machines. Headbanger riddims against 303s on fire. Dirty grooves kicking your head through loudspeakers. We are arrebite and we are gonna kick your fucking ass, mofo!”

http://www.myspace.com/arrebite 

Tricky D


Tricky D
has been a breakbeat ambassador since the early 90′s and is one of Berlin’s first underground Jungle DJs and Activists.
Tricky got involved in Berlin’s cult underground club “In Eimer” and met up with Mez. They became members of the first German live Jungle band Elektronauten, when creativity was faster than bureaucracy.
The following years were filled with touring, djing, studio work and releasing music under different names.
In 2001 he opened the Tricky Tunes Record Store @ Mainzer Str 8, 10247 Berlin specialising in Jungle, D ‘n B, Reggae and cutting-edge Breakbeats.
In 2002, he spent some time in Jamaica, where he and Mez did recording sessions with local vocalists, and decided to start their own record label: Tricky Tunes. Their releases have featured many international vocal talents such as Daddy Freddy, Labrador , Lyrical Banton, Por Razones De Estado, Bongo Chilly, Soultrain, Brother Culture,…

http://soundcloud.com/tricky-d
http://shop.tricky-tunes.com

Dev79


Philadelphia’s brazen Dev79 has been bangin’ out the underground sounds for years. With an almost reckless abandon he attacks a barrage of genres (from UKG to Grime to Tropical to Dubstep to Rap and whatever the fuck else) to create his spin on the Street Bass style. Dev79 and Starkey are the masterminds behind the Seclusiasis empire and Street Bass Anthems series, as well as the Slit Jockey Records imprint with partner El Carnicero.
He released music on Sonicterror Recordings, Zenapolae, Slit Jockey Records and Seclusiasis.

http://www.myspace.com/dev79
http://soundcloud.com/dev79

Parasite


Parasite
( Armin Elsaesser ) is best known for helming the consistently great Deathsucker label, which boasts the scene’s best and most eclectic roster. Head honcho of DSWAT distro, one of the most active online mailorder stores, and a driving force behind the Toxic Dancehall parties in Bristol, UK.
Parasite also makes computer game music having worked on the highly-addictive tower defense game Savage Moon on Playstation3.
Beside his own releases on Death$ucker Records he also released music on Peace Off, Clash Records, Cold-Coffein-Addict Records and more.

http://soundcloud.com/parasitexxxx
http://soundcloud.com/arminelsaesser
http://dswat.net 

Mr. Boogie


Mr.Boogie: started his career in 2003 as a Drum & Bass DJ influenced by artists like the Fullcycle Crew, True Playaz, Twisted Individual and various other Jump Up heads. As part of the former Bassrausch Crew, a collective of DJ’s from Thuringia, he was having performances at diverse parties nationwide.
In 2005, shortly after he moved to Potsdam in the outskirts of Berlin, Boogie came in contact with Grime music. Inspired by the new and fresh sounds, he got motivated to tinker his own suchlike beats and soon focused exclusively on producing Dubstep tunes with his unique monster bass sounds.
Since 2008 he released tracks on various dubstep labels like Scrub A Dub, Police In Helicopter, Sin City Recordings and Bassclash Records.

http://soundcloud.com/mr-boogie

Bio[me]trick for free

for the tomorrow to be released spb12023 today i have some candy for free. this is the first ,by repogrrl and me, curated vinyl 12inch release from sozialistischer plattenbau in 2002. its a early classic breakcore compilation (even i didn’t know about this “genre” these days). was limited to 500 copies and features people like gorki plubakter, eiterherd, low entropy, alexdee, bruno & michel are smiling and others.

the main issue for this release where the radical growing of security technology, like cctv, biometric systems on airports and gathering of information in the world wide web, after 9/11.

Bambam Babylon Bajasch

Punky ragga junglist crew from cologne, germany. Main founding members where:
Bambam Belay: produces with computer and turntables. plays with samples on stage. already known from the “Eigelstein Royal”.
Desmond Denker : produces with computer and synths. backing his machines on stage. already wanted for “Oliver Twist Band”.
Doc D2N8: sings in anglo-colognian. likes freestyling. plays breakcore music very loud and brews beer. built up by the “Radioactive Toys”.
Luciano Sarotti: sings deep in english. also likes freestyling. flashy by his size. inspired by “I&I sound”.

they also had lots of guest appearences and changing members too.

http:basspraesidium.de

 

FFF


FFF
is Tommy de Roos. Breakcore junglist, dj, electroni music producer and graphic and illustration artist from rotterdam, nNetherlands. He released various records also on labels such Murder Channel Records, Necromaniacs Industry, Hong Kong Violence, Sprengstoff Recordings, Mindbender Records, Clash Records, K-Hole Productions, Sonic Belligeranza, Artcore Recordings, Planet Mu, Zero71 Recordings, and Koolpop.

He also runned orange socks cassette label and latly founded encounter records.

http://soundcloud.com/f-f-f
http://www.tommyderoos.com
http://encountersrecords.bandcamp.com

Bruno & Michel are smiling / Skipperrr

The duo Bruno & Michel are smiling & Skipperr been from Hamburg. They did a lot performances with their high tensioned mixture of fast cut-up music, angry screams and a lot of swing all over europe. They are feared for their well choosen costumes and released, beside on sozialistischer plattenbau, music on labels such as disco bruit, renda records, adaadat and uhh records.

http://bamas.org

 

Itty Minchesta

The AtomicTitCorporation was founded in 1999 and formerly called ‘Atombusentransporte’. It is an artistic interdisciplinary research project and exists due to interest. We, the constant members Itty Minchesta and Dr. Legasto,have so far focused on a variety of themes including eg.
-how to create space for a very short time
- how to research
- poetological ethnology
- zombiism and self-management
- labour and failure
- sickness/disease and its relation to popculture
- the phenomenon of romanticising containerization / how to fall out of frames – the (abusive) use of headphones in so-called public spheres
- the (im)possibility of subversion
- the sexual history of the atomic bomb
All research projects have been performed live or have been exhibited. We have always tried to choose the appropriate media for each research project which in the process has brought us- especially in the last two years- to mainly using the form of lecture-performances including electronic cutup music. We have published several books, comics, audio works and records and administrate this webarchive.

http://atombusentransporte.de

SPBDA003 Istari Lasterfahrer : Himmel, Harsch und Hirn

1. Eventuallitäts Abhängig 04:41
2. Die erste Bildstörung 05:49
3. Kostenlose Freizeitangebote 04:36
4. Grenzenlos 03:09
5. Ausdruckstanz der Jünglige 02:15
6. Kurzweiliges 02:32
7. Hymnosexuell 02:53
8. Philosophieparkour 03:00
9. My Dub Can’t Move Mountains 03:03
10. Achtung Frisch Gemalt 01:38
11. Spiel mit auf deiner Blockflöte 05:06
12. Erste Stunde der Einsamkeit 04:06
13. Als wär es das erste mal 04:52
14. Ein Austausch findet nicht Statt 03:23
15. Beinahe schon lange her 04:00
16. Geschäftspapierorigami 07:06

Some of my latest experiments. The names just popped off in the last moment as i finalized everything. i enjoy them a lot, hope you too. Pairs well while looking down a mountain. All Music Patched, Sequenced and Played on a Analog EuroModular System expect plus a bunch of breakbeats, a virtual rhode, a casio keyboard and digital delays.
Everything Recorded and Arranged and Montaged on a Computer.

Reviews:

De-Bug, 19.12.2012, Multipara:
“Es kommt nicht ganz so oft vor, dass ein Musiker eine Sammlung neuer Stücke offen als “Experimente” ankündigt. Istari Lasterfahrer, der erst im Sommer mit einer Hommage an zehn Jahre Liveparty-Erfahrungen und -Erlebnissen in so persönlicher wie mitreißender EP-Form sein Label nach einer kleinen Pause reaktiviert hat, legt hier ein Bündel aus sechzehn Stücken nach, die ausprobieren, was sich mit einem Eurorack-Modular-Setup anstellen lässt, nur hier und da unterstützt durch Breakbeat- und Drumsamples, Delays, oder mal einer gespielten Melodie, wenn sich plötzlich ein Bild einstellt. Eine Werkstattplatte. Das muss nicht alles aufgehen, aber immer wieder nimmt der Zoo morphender Klänge und randomisierter Sequenzen wie magnetisiert die äußere Gestalt eines Dub- oder Techno- oder Elektro-Stücks an, nur um dann wieder in den freien Raum zu rollen, zu stolpern, zu purzeln: Überall kann es passieren, dass sich Melodien aggregieren, sich zu kleinen Perlen runden. Man muss nur hinhören.”

SPBCDR009 Istari Lasterfahrer : Himmel, Harsch und Hirn

<div class=”alignright”>

</div>
1. Eventuallitäts Abhängig 04:41
2. Die erste Bildstörung 05:49
3. Kostenlose Freizeitangebote 04:36
4. Grenzenlos 03:09
5. Ausdruckstanz der Jünglige 02:15
6. Kurzweiliges 02:32
7. Hymnosexuell 02:53
8. Philosophieparkour 03:00
9. My Dub Can’t Move Mountains 03:03
10. Achtung Frisch Gemalt 01:38
11. Spiel mit auf deiner Blockflöte 05:06
12. Erste Stunde der Einsamkeit 04:06
13. Als wär es das erste mal 04:52
14. Ein Austausch findet nicht Statt 03:23
15. Beinahe schon lange her 04:00
16. Geschäftspapierorigami 07:06

Some of my latest experiments. The names just popped off in the last moment as i finalized everything. i enjoy them a lot, hope you too. Pairs well while looking down a mountain. All Music Patched, Sequenced and Played on a Analog EuroModular System expect plus a bunch of breakbeats, a virtual rhode, a casio keyboard and digital delays.
Everything Recorded and Arranged and Montaged on a Computer.

Reviews:

<a href=”http://de-bug.de/reviews/52472.html”>De-Bug</a>, 19.12.2012, Multipara:
<em>”Es kommt nicht ganz so oft vor, dass ein Musiker eine Sammlung neuer Stücke offen als “Experimente” ankündigt. Istari Lasterfahrer, der erst im Sommer mit einer Hommage an zehn Jahre Liveparty-Erfahrungen und -Erlebnissen in so persönlicher wie mitreißender EP-Form sein Label nach einer kleinen Pause reaktiviert hat, legt hier ein Bündel aus sechzehn Stücken nach, die ausprobieren, was sich mit einem Eurorack-Modular-Setup anstellen lässt, nur hier und da unterstützt durch Breakbeat- und Drumsamples, Delays, oder mal einer gespielten Melodie, wenn sich plötzlich ein Bild einstellt. Eine Werkstattplatte. Das muss nicht alles aufgehen, aber immer wieder nimmt der Zoo morphender Klänge und randomisierter Sequenzen wie magnetisiert die äußere Gestalt eines Dub- oder Techno- oder Elektro-Stücks an, nur um dann wieder in den freien Raum zu rollen, zu stolpern, zu purzeln: Überall kann es passieren, dass sich Melodien aggregieren, sich zu kleinen Perlen runden. Man muss nur hinhören.”</em>

SPB12022 & SPB12023 Announced

it’s late summer in 2012. here some news on releases for october:

Classless Kulla & Istari Lasterfahrer
Auf- & Zustände – LP
to be released on 13th october 2012. the third release by this collaboration duo from berlin/hamburg. classless kulla on the microphone and istari lasterfahrer doing the electronical data workout for the music. this time instead of full weight cds they deliver 10 fine tracks on vinyl longplayer and download.for more information: go here
if you want to preorder this vinyl go here in the mailorder or if you prefere digital download get over here to save you a copy.

SPB12023 Classless Kulla & Istari Lasterfahrer – Auf- & Zustände LP by sozialistischerplattenbau

Selektor Depender & Filltercutter
Dub Caruselles – 12inch
to be released on 19th october 2012. dub caroussels comes in cooperation with amsterdams bassculture foundaition and sozialistischer plattenbau. drops a heavy dub release that sitts between roots dub and dubstep. two tracks with additional dub versions are on this 45 vinyl and been added up with some derivats of the fx sounds from the tracks. for more information: go here

SPB12022 Selektor Depender & Filltercutter – Dub Carusseles by sozialistischerplattenbau

SPB12021 Istari Lasterfahrer : Some Places


Some Places
You Are Talking To The Hand

2
Take This Crucial Times
I Enjoyed Myself Today To See If I Still Feel

The 1000 Schattering Trashbins of God and Prethinker and Inspirator of Breakcore is back for 2012 with this high-magnetic super Shooter. Some Places EP is a big tribute to all the places and people istari lasterfahrer went to the last decade of years. Some thoughts in accustic way about what means to have a free space, what defends this space from the outside and whats within and what happens there.

Well, you know ask: “Come on! Breakcore Sounds so 2003″ and here we say “yes!”. this records brings you on the a side premium blended mashedup jungle with happy hardcore which should throw you back to nienties. Flipside you should get you subwoofer trashed with the first short smacker while the second is a 7 minute long journey into analog modular driven dubhall low pass gate beats meet with bucket bridge divice feedback warps.

150 copies been pressed.

Spb12021 – Istari Lasterfahrer – Some Places by sozialistischerplattenbau

Ritalin War Dance

Ritalin War Dance is a Berlin based musical project between dub, drone and doom. Founded late 2010, its members Martin Maischein and Robert Schirmer mix soundscaping experiments with noise and electronic dancemusic elements, combining their different musical backgrounds from harsh d’n’b, electrofunk and experimental electronic dance music (Maischein) to noiserock/punk/noise(Schirmer) to step into a new musical area, where they could use their skills in exploring and experimenting on something new to both.

Martin Maischein previously released a number of records under various pseudonyms such as Heinrich at Hart (Position Chrome), Sandbenders (Force Inc, Science City), Goner (Gone) and more since the mid-90ies, the latest being a 7″ on Kreislauf this January while Robert Schirmer played all Europe with his bands Gentle Veincut, Stresseuche and Budyet, with releases on noiserock labels like Whosbrain Records, Gaffer Records and Looptown.

http://soundcloud.com/kerstin-bruse/

SPB12020 Ritalin War Dance / Neurosis Orchestra : The Chant / The Stash House

Grafik1
1
Ritalin War Dance – Hypertonic Solution
Ritalin War Dance – Eye Flys

2
Neurosis Orchestra – Lucid Dream
Neurosis Orchestra – Trap

spb12020 goes beyond the spheres of dubstep and doom. we should just call it for the hype of last year witchhall. you also might call it doomstep or darkdub. whatever. the melting experiments from berlin based projects can be discriped as doomstep. following the inversed spiral downwards the bpm race. the call is “live slow – die old”.

ritalin war dance is a Berlin based musical project between dub, drone and doom. Founded late 2010, its members Martin Maischein andRobert Schirmer mix soundscaping experiments with noise and electronic dancemusic elements, combining their different musical backgrounds from harsh d’n’b,
electrofunk and experimental electronic dance music (Maischein) to noiserock/punk/noise (Schirmer) to step into a new musical area, where they could use their skills in exploring and experimenting on something new to both.

Martin Maischein previously released a number of records under various pseudonyms such asHeinrich at Hart (Position Chrome),Sandbenders (Force Inc, Science City), Goner(Gone) and more since the mid-90ies, the latest
being a 7″ on Kreislauf this January while

Robert Schirmer played all Europe with his bands Gentle Veincut,Stresseuche andBudyet, with releases on noiserock labels like Whosbrain Records, Gaffer Records and Looptown.

Don’t call it a comeback. Berlin’s Neurosis Orchestra never disappeared. Those two tunes on their brand new Split EP connect their previous output on the WE BOMB FI DUB compilations and their NOIR DESIRE EP onSprengstoff Records.
“Lucid Dream” seduces the listener to enter a mental stage that one might never leave again. Pitched down guitar riffs meet the never ending echoes of the dark side of your soul.
The second tune “Trap” takes the mood to slightly different direction: A dark and claustrophobic adventure on 140bpm with beats resembling a narrow cave. Eerie sounds meet heavy basses and distorted, grinding synthesizers.

300 copies been pressed.

Spb12020 Ritalin War Dance / Neurosis Orchestra by sozialistischerplattenbau

SPB12020 & SPB 12021 Announcement

sozialistischer plattenbau is happy to announce following releases:

Ritalin War Dance / Neurosis Orchestra 
split ep - 12inch
Split release on Ritalin War Dance ( project by Martin Maischein and Robert Schirmer ) from berlin and Neurosis Orchestra ( the mysterie project from london – berlin ). this release will examing the fields of drone, doom and witchstep.
we call it witchhall what these slow motion robotic bands from berlin are doing for details go here.

Spb12020 Ritalin War Dance / Neurosis Orchestra by sozialistischerplattenbau

istari lasterfahrer 
some places - 12inch
the second release to come in this row in early 2012 is a ep by istari lasterfahrer. happy hardcore, jungle, breakcore and some modular synth opus for you. wanna know more? go here

Spb12021 – Istari Lasterfahrer – Some Places by sozialistischerplattenbau

Karl Marx Stadt

Karl Marx Stadt is electronic music artist Christian Gierden (b. 1978) working mostly in the field of heavy, fast & complicated but cheesy dance music. Overwhelmingly emotional melodies, radiant spacey atmospheres, intricate but strong rhythmic structures make for a rewarding listener’s experience.

After slowly stepping back from the late 90ies mostly sample based hardcore project Society Suckers, recent years have spawned a love for analogue techniques, dub and stronger emphasis on melodic elements. Live shows can be an amusing blend of hyperen ergetic Rave mixing and carefully paced Dubbing sessions incorporating circuitbending, synthesizers, childrens toys and of course, the universe.

http://soundcloud.com/karlmarxstadt
http://www.society-suckers.com
www.karlmarxland.com
karlmarxstadt.bandcamp.com

SPB7021 Istari Lasterfahrer : Monstreous manovers in a mushroom maze

1
in a mushroom maze

2
war of the bugs

here comes the dub killer by Istari Lasterfahrer on sozialistischer plattenbau. the 7inch will be a reappropriation from the digital plane to the plane of matter in two ways. style: crucial dubby acidstep that brings together dusty computer sounds with the heat of jamaican music tradition adopted by punk in a new form of being.
first drop is by 300 copies. comes in a nice black cover with individual silvershiny bug sticker. so you get ants, beetles, worms, flees, butterflies and more.

300 copies has been pressed.

SPB7021 Monsterous Manovers In A Mushroom Maze 7inch Snippet by istari lasterfahrer