SPBCDR009 Istari Lasterfahrer : Himmel, Harsch und Hirn

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1. Eventuallitäts Abhängig 04:41
2. Die erste Bildstörung 05:49
3. Kostenlose Freizeitangebote 04:36
4. Grenzenlos 03:09
5. Ausdruckstanz der Jünglige 02:15
6. Kurzweiliges 02:32
7. Hymnosexuell 02:53
8. Philosophieparkour 03:00
9. My Dub Can’t Move Mountains 03:03
10. Achtung Frisch Gemalt 01:38
11. Spiel mit auf deiner Blockflöte 05:06
12. Erste Stunde der Einsamkeit 04:06
13. Als wär es das erste mal 04:52
14. Ein Austausch findet nicht Statt 03:23
15. Beinahe schon lange her 04:00
16. Geschäftspapierorigami 07:06

Some of my latest experiments. The names just popped off in the last moment as i finalized everything. i enjoy them a lot, hope you too. Pairs well while looking down a mountain. All Music Patched, Sequenced and Played on a Analog EuroModular System expect plus a bunch of breakbeats, a virtual rhode, a casio keyboard and digital delays.
Everything Recorded and Arranged and Montaged on a Computer.


<a href=”http://de-bug.de/reviews/52472.html”>De-Bug</a>, 19.12.2012, Multipara:
<em>”Es kommt nicht ganz so oft vor, dass ein Musiker eine Sammlung neuer Stücke offen als “Experimente” ankündigt. Istari Lasterfahrer, der erst im Sommer mit einer Hommage an zehn Jahre Liveparty-Erfahrungen und -Erlebnissen in so persönlicher wie mitreißender EP-Form sein Label nach einer kleinen Pause reaktiviert hat, legt hier ein Bündel aus sechzehn Stücken nach, die ausprobieren, was sich mit einem Eurorack-Modular-Setup anstellen lässt, nur hier und da unterstützt durch Breakbeat- und Drumsamples, Delays, oder mal einer gespielten Melodie, wenn sich plötzlich ein Bild einstellt. Eine Werkstattplatte. Das muss nicht alles aufgehen, aber immer wieder nimmt der Zoo morphender Klänge und randomisierter Sequenzen wie magnetisiert die äußere Gestalt eines Dub- oder Techno- oder Elektro-Stücks an, nur um dann wieder in den freien Raum zu rollen, zu stolpern, zu purzeln: Überall kann es passieren, dass sich Melodien aggregieren, sich zu kleinen Perlen runden. Man muss nur hinhören.”</em>

SPB12022 & SPB12023 Announced

it’s late summer in 2012. here some news on releases for october:

Classless Kulla & Istari Lasterfahrer
Auf- & Zustände – LP
to be released on 13th october 2012. the third release by this collaboration duo from berlin/hamburg. classless kulla on the microphone and istari lasterfahrer doing the electronical data workout for the music. this time instead of full weight cds they deliver 10 fine tracks on vinyl longplayer and download.for more information: go here
if you want to preorder this vinyl go here in the mailorder or if you prefere digital download get over here to save you a copy.

SPB12023 Classless Kulla & Istari Lasterfahrer – Auf- & Zustände LP by sozialistischerplattenbau

Selektor Depender & Filltercutter
Dub Caruselles – 12inch
to be released on 19th october 2012. dub caroussels comes in cooperation with amsterdams bassculture foundaition and sozialistischer plattenbau. drops a heavy dub release that sitts between roots dub and dubstep. two tracks with additional dub versions are on this 45 vinyl and been added up with some derivats of the fx sounds from the tracks. for more information: go here

SPB12022 Selektor Depender & Filltercutter – Dub Carusseles by sozialistischerplattenbau

SPB12021 Istari Lasterfahrer : Some Places

Some Places
You Are Talking To The Hand

Take This Crucial Times
I Enjoyed Myself Today To See If I Still Feel

The 1000 Schattering Trashbins of God and Prethinker and Inspirator of Breakcore is back for 2012 with this high-magnetic super Shooter. Some Places EP is a big tribute to all the places and people istari lasterfahrer went to the last decade of years. Some thoughts in accustic way about what means to have a free space, what defends this space from the outside and whats within and what happens there.

Well, you know ask: “Come on! Breakcore Sounds so 2003″ and here we say “yes!”. this records brings you on the a side premium blended mashedup jungle with happy hardcore which should throw you back to nienties. Flipside you should get you subwoofer trashed with the first short smacker while the second is a 7 minute long journey into analog modular driven dubhall low pass gate beats meet with bucket bridge divice feedback warps.

150 copies been pressed.

Spb12021 – Istari Lasterfahrer – Some Places by sozialistischerplattenbau

Ritalin War Dance

Ritalin War Dance is a Berlin based musical project between dub, drone and doom. Founded late 2010, its members Martin Maischein and Robert Schirmer mix soundscaping experiments with noise and electronic dancemusic elements, combining their different musical backgrounds from harsh d’n’b, electrofunk and experimental electronic dance music (Maischein) to noiserock/punk/noise(Schirmer) to step into a new musical area, where they could use their skills in exploring and experimenting on something new to both.

Martin Maischein previously released a number of records under various pseudonyms such as Heinrich at Hart (Position Chrome), Sandbenders (Force Inc, Science City), Goner (Gone) and more since the mid-90ies, the latest being a 7″ on Kreislauf this January while Robert Schirmer played all Europe with his bands Gentle Veincut, Stresseuche and Budyet, with releases on noiserock labels like Whosbrain Records, Gaffer Records and Looptown.


SPB12020 Ritalin War Dance / Neurosis Orchestra : The Chant / The Stash House

Ritalin War Dance – Hypertonic Solution
Ritalin War Dance – Eye Flys

Neurosis Orchestra – Lucid Dream
Neurosis Orchestra – Trap

spb12020 goes beyond the spheres of dubstep and doom. we should just call it for the hype of last year witchhall. you also might call it doomstep or darkdub. whatever. the melting experiments from berlin based projects can be discriped as doomstep. following the inversed spiral downwards the bpm race. the call is “live slow – die old”.

ritalin war dance is a Berlin based musical project between dub, drone and doom. Founded late 2010, its members Martin Maischein andRobert Schirmer mix soundscaping experiments with noise and electronic dancemusic elements, combining their different musical backgrounds from harsh d’n’b,
electrofunk and experimental electronic dance music (Maischein) to noiserock/punk/noise (Schirmer) to step into a new musical area, where they could use their skills in exploring and experimenting on something new to both.

Martin Maischein previously released a number of records under various pseudonyms such asHeinrich at Hart (Position Chrome),Sandbenders (Force Inc, Science City), Goner(Gone) and more since the mid-90ies, the latest
being a 7″ on Kreislauf this January while

Robert Schirmer played all Europe with his bands Gentle Veincut,Stresseuche andBudyet, with releases on noiserock labels like Whosbrain Records, Gaffer Records and Looptown.

Don’t call it a comeback. Berlin’s Neurosis Orchestra never disappeared. Those two tunes on their brand new Split EP connect their previous output on the WE BOMB FI DUB compilations and their NOIR DESIRE EP onSprengstoff Records.
“Lucid Dream” seduces the listener to enter a mental stage that one might never leave again. Pitched down guitar riffs meet the never ending echoes of the dark side of your soul.
The second tune “Trap” takes the mood to slightly different direction: A dark and claustrophobic adventure on 140bpm with beats resembling a narrow cave. Eerie sounds meet heavy basses and distorted, grinding synthesizers.

300 copies been pressed.

Spb12020 Ritalin War Dance / Neurosis Orchestra by sozialistischerplattenbau

SPB12020 & SPB 12021 Announcement

sozialistischer plattenbau is happy to announce following releases:

Ritalin War Dance / Neurosis Orchestra 
split ep - 12inch
Split release on Ritalin War Dance ( project by Martin Maischein and Robert Schirmer ) from berlin and Neurosis Orchestra ( the mysterie project from london – berlin ). this release will examing the fields of drone, doom and witchstep.
we call it witchhall what these slow motion robotic bands from berlin are doing for details go here.

Spb12020 Ritalin War Dance / Neurosis Orchestra by sozialistischerplattenbau

istari lasterfahrer 
some places - 12inch
the second release to come in this row in early 2012 is a ep by istari lasterfahrer. happy hardcore, jungle, breakcore and some modular synth opus for you. wanna know more? go here

Spb12021 – Istari Lasterfahrer – Some Places by sozialistischerplattenbau

Karl Marx Stadt

Karl Marx Stadt is electronic music artist Christian Gierden (b. 1978) working mostly in the field of heavy, fast & complicated but cheesy dance music. Overwhelmingly emotional melodies, radiant spacey atmospheres, intricate but strong rhythmic structures make for a rewarding listener’s experience.

After slowly stepping back from the late 90ies mostly sample based hardcore project Society Suckers, recent years have spawned a love for analogue techniques, dub and stronger emphasis on melodic elements. Live shows can be an amusing blend of hyperen ergetic Rave mixing and carefully paced Dubbing sessions incorporating circuitbending, synthesizers, childrens toys and of course, the universe.


SPB7021 Istari Lasterfahrer : Monstreous manovers in a mushroom maze

in a mushroom maze

war of the bugs

here comes the dub killer by Istari Lasterfahrer on sozialistischer plattenbau. the 7inch will be a reappropriation from the digital plane to the plane of matter in two ways. style: crucial dubby acidstep that brings together dusty computer sounds with the heat of jamaican music tradition adopted by punk in a new form of being.
first drop is by 300 copies. comes in a nice black cover with individual silvershiny bug sticker. so you get ants, beetles, worms, flees, butterflies and more.

300 copies has been pressed.

SPB7021 Monsterous Manovers In A Mushroom Maze 7inch Snippet by istari lasterfahrer

SPB12019 Karl Marx Stadt : III 1999 – 2009


sex not bombs 1.4

strange fragment
cigarette tree
disco orgel johnny
tawk is jeep

tx mania
test object 2
teee yui
sarcasm in your eyes

auf wiedersehn

The common perception of dance music seems to be leading people to the conclusion that certain forms of open interpretation are unwanted; even forbidden on the dance floor, which in fact, they are not. Actually they are to be encouraged. This album seeks to encourage, to give it a fresh start, open your mind and hear new things in new ways.

Karl Marx Stadt writing to you from the center of the universe.

Being probably bored like crazy, he asks you to join him for a ride on the spaceship. It’s actually more like a station, but it’s been moving across time and space and to the edge of the solar system a lot, so be surprised if there’s a sudden 90 degree turn or full stop before jumping into hyperdrive.

After slowly phasing out the Society Suckers project some years ago, Karl Marx Stadt

Disappeared further and further from the scene. But now he’s back! With a beautiful masterpiece of intricate detail to follow the hyper Karl Marx Stadt 1997-2004 on Lux Nigra.

Twisting hundreds of sampled into the mix, A certain unheard sonic palette emerges setting the tone for a unique record, using every technique in his vast Arsenal of Sonic weapons, showing the youngsters some new tricks and the dj’s some twists and turns. If you like to sit down at home listening to music and talking about how beautiful music can be, this is your soundtrack.

A selection of boundary-breaking electronic music has been compiled from the vault to expose the yet unheard side of Karl Marx Stadt. We hope you find it just as enjoyable and amazing as we do.
Karl Marx Stadt is electronic music artist Christian Gierden (b. 1978) working mostly in the field of heavy, fast & complicated but cheesy dance music.
Overwhelmingly emotional melodies, radiant spacey atmospheres, intricate but strong rhythmic structures make for a rewarding listener’s experience.
After slowly stepping back from the late 90ies mostly sample based hardcore project Society Suckers, recent years have spawned a love for analogue techniques, dub and stronger emphasis on melodic elements. Live shows can be an amusing blend of hyperenergetic Rave mixing and carefully paced Dubbing sessions incorporating circuitbending, synthesizers, childrens toys and of course, the universe. His new album Karl Marx Stadt III is to be released on September the 9th 2011 on Istari Lasterfahrer’s Sozialistischer Plattenbau.

300 copies been pressed.


Testcard #21, Tycho Schottelius:
“Karl Marx Stadt setzt auf Sozialistischer Plattenbau sein bei Lux Nigra begonnenes musikalisches Jahrbuch fort. So streng wie der steinbehauene Karl vom Cover blickt, klingt die Musik dabei ganz und garnicht. Fröhliche Melodien und unbekümmerte Beats machen diese eigenwillige Tanzmusik aus. Sie klingt dabei so dermassen untrendy, das man sich kaum Vorstellen kann, wie Menschen dazu im Club die Körper schütteln. Trotz der Lässigkeit ist diese Musik vor allem konstruiert. Man kann sich nicht mit ihr treiben lassen oder in ihr auflösen, sie schwillt nicht an und ebbed dann wieder ab. Sie ist eine Beschreibung von Geschichte, ein Entwurf. Somit passt Karls ernste Mime dann doch wieder, wäre da nicht dieser sorglose easylistening Ausdruck, der aber nicht verklärt, sondern ganz klar gesetzt ist, nicht in Träumereien schwelgend, sondern aus Träumen gelüftet. Geschichte wird gedacht. Ein vergangener Ort wird zum Heimstudio ohne festen Raum, kann wandern, eingepackt und woanders wider aufgebaut werden. Es gibt dabei einen genau aufgelisteten Fuhrpark. Dieser besteht nicht aus alten Musikinstrumenten der DDR, auch nicht aus wohlbekannten Techno Klassikern oder Kraut Synthesizern. Die Klänge kommen aus einer Phase der Digitalen Musikproduktionen, als diese noch gerne als Band gespeichert wurden (DAT). Die Zeit der kleinen Schwarzen LCD-Kästchen und der Personalcomputer. Geräte, die weder sexy noch funky waren, aber herausfordern konntenzwecks Beseelung des Taschenrechners. Wo es bei Society Suckers, der Vorgängerband, eher über den Weg der Zerstörung ging, wird hier das Niedliche eingeführt. Ein Hüpfen und Hoppeln mit kurzen Tastenanschlägen, Spinett-Staccato und Hiphop Beats. Gnadenloses Ja zur Melodie, keine Pads, keine Flächen, aber denoch phantastisches Losgelöst sein. Verträumte Technologie, ganz klar und diszipliniert, nie überzogen, mit einem spannendem Gefühl für Timing und dem plötzlichen Wechsel oder Abbruch.”

SPBDA002 Istari Lasterfahrer : Set to my on advices, again

1. Set to my own advices, again 01:41
2. Learn to live in the straight world 04:43
3. Rasta On Acid 05:30
4. Constraint Minds 04:12
5. Let it all Flow 04:42
6. Udeleudel 04:09
7. Marihuana Jungle 04:56
8. From Grief To Anger 04:20

Dubsteppish digital album by istari lasterfahrer. weightening between the poles of breaksstep, acid and fourfloor dub.

SPB12019 Karl Marx Stadt III

karl marx stadt: 
III 1999 – 2009 - 2x12inch
after two releases on berlins lux nigra c. gierden aka karl marx stadt is delivering a full album with 19 tracks, mostly generated with impulse tracker in 9 home studios.

The common perception of dance music seems to be leading people to the conclusion that certain forms of open interpretation are unwanted; even forbidden on the dance floor, which in fact, they are not. Actually they are to be encouraged. This album seeks to encourage, to give it a fresh start, open your mind and hear new things in new ways.


Karl Marx Stadt writing to you from the center of the universe. Being probably bored like crazy, he asks you to join him  for a ride on the spaceship. It’s actually more like a station, but it’s been moving across time and space and to the edge of the solar system a lot, so be surprised if there’s a sudden 90 degree turn or full stop before jumping into hyperdrive.


After slowly phasing out the Society Suckers project some years ago, Karl Marx Stadt Disappeared further and further from the scene. But now he’s back! With a beautiful masterpiece of intricate detail to follow the hyper Karl Marx Stadt 1997- 2004 on Lux Nigra.

Twisting hundreds of sampled into the mix, A certain unheard sonic palette emerges setting the tone for a unique record, using every technique in his vast Arsenal of Sonic weapons, showing the youngsters some new tricks and the dj’s some twists and turns.

If you like to sit down at home listening to music and talking about how beautiful music can be, this is your soundtrack. A selection of boundary-breaking electronic music has been compiled from the vault to expose the yet unheard side of Karl Marx Stadt. We hope you find it just as enjoyable and amazing as we do.

SPBCDR007 Classless Kulla & Istari Lasterfahrer : Wir hatten doch noch was vor


1 Car Accident 3:39
2 Identität 3:27
3 Was Vor (Moshstep Mix) 2:24
4 Won’t be long till jungle drum 3:27
5 Aufschneider 4:48
6 Spartacus 2:47
7 Nothing Wrong 1:51
8 Pfeffi 0:08
9 Gute Ware 3:47
10 2 many dicks 3:50
11 Besseres Leben 4:15
12 Bezugsgruppe 2:31
13 Nordkiez 0:04
14 After the eulogy 3:07
15 Prisch tursch 2:16
16 Broken (Wert und Subjektbildung) 3:18
17 Irgendwo da draußen 2:53
18 Steckengeblieben im Flu§ 2:55
19 Das Warensubjekt hat immer recht 5:19
20 The Man Who Was Addicted To The Last Time 6:46
21 No Prerogative 3:00
22 Leite meine Feier 2:12
23 Was Vor (Punk Mix) 1:59
24 Was Vor (Noise Mix) 2:28
25 Was Vor (Bleep Mix) 2:36
26 Was Vor (Jazz Mix) 2:18

second release by the duo istari lasterfahrer and classless kulla. this was a cdr with a 24 page printed full color booklet.

250 copies have been made.


Testcard #20, Hans Plesch:
“Müll runtergebracht, Wäsche gewaschen – war da noch was? – Ja, Weltraum(fahrt) und Kommunismus stehen noch auf dem Zettel der zu erledigen Dinge. Wird aber vielleicht heute nix mehr. Dafür wurden fleißig und rücksichtslos Soundschnipsel gesammelt, Gedanken zu Text gebracht, Rythmen angeworfen und überbordend Musik gemacht. Ist doch auch schon was, eine Etappe auf dem langen Marsch einer trägen Menscheit Richtung Selbstbestimmung.
Classless Kulla ist ausreichend beschäftigt als Blogger und Egotronic-Sidekick. Singen ist seine Sache nicht unbedingt. Istari Lasterfahrer betreibt das Elektro-Label mit dem schönen Namen Sozialistischer Plattenbau und verfertigt allerlei Musik zwischen elegantem Techno und harschen Breakbeats.  Diese Kollaboration gibt ihm reichlich Gelegenheit, seine verschiedenen Seiten vorzuführen. Zusammen mit den präzis verschwurbelten Früchten unangestrengten Nachdenkens seines Kollegen Kulla ergibt das wundersame Dinge, die den Begriff Song nur unzureichend erfasst. Was nicht nur am derben rythmischen Unterbau liegt. Die Identietätsvermeidung, Utopie und Buffy the Vampire Slayer bilden Eckpunkte, die gerne mal angenehm antideutsch unterlegt sind. Dann ist da noch der Kommunismus. Aber auch der wird aufgeschnitten, gewendet und der Verpflichtung uuniversaler Menscheitslösung entzogen …
Unter einer genügend weiten Auslegung des Begriffs Gesang verraten bereits Songtitel wie “das Warensubjekt hat immer rech” oder “Broken (Wert und Subjektbildung)” geziell-lässiges Bemühen um Vermeidung von Kommerzialität (Protest wird ja bekanntlich – nicht nur im Mainstream – ohnehin gefressen). Dagegen gibt es fröhliches Punkgegröl wie “Bezugsgruppen”, heimliche Hymnen und unerwartete Smashhits wie “Car Accident”: Ja dieses Album ist zweisprachig, enthält Spuren von Metalriffs und verwendet außerdem Samples von der Olsenbande!
Wäre der Begriff “intelligente Unterhaltung” nicht so öde: Hier ist er ziemlich Sicher am Platz. Wortwitzger Spaß und trashiges Geballer schieben sich in angemessenen Abständen unter ins Liedformat gebrachter Meinungen und Deinungen eines Menschen von nicht so geringen Verstand”

SPB7020 LXC – lyzerk / lyzwerk



here comes lxc from leipzig with the first big hole seven inch ever on spb. directly from the analog madness from the red room. with the acidlab bassline, vermona drm and alpha juno 2 was the birth of lyzerk, which was mutated with the help of roland 606 and sh-101 into the lyzwerk. god is alive and well in a shugarcube. this record comes pressed in neon-orange vinyl, dedicated artwork, stamped brown retro-paperbags and limited to strictly

250 copies been pressed worldwide!

LXC – Lyzerk (Sozialistischer Plattenbau 2010) by LXC

LXC – Lyzwerk (Sozialistischer Plattenbau 2010) by LXC

SPB12018 Various Artists : We Bomb Fi Dub vol. 5

Mr. Boogie: Dirty Dub
Dipswitch: Plastic Smile

Neurosis Orchestra:
The Big English Swindle
Istari Lasterfahrer: Inner Immigration

four more tracks on the we bomb fi dub series.mr boggie delivers “dirty dub” one of his first dubstep tunes, could be like 4 years old or more? but still kicking. dipswitch from cologne drops “plastic smile” a rootsy track with wicked bass melodies and amen breakdown. flipside berlins neurosis orchestra with “the great british swindle” comes with tricky metal type breaks on drowning halfstep crunchyness and rave stabs. istari lasterfahrers track “inner imigration” goes even more doomish on the fade out floor.

320 copies been pressed.

SPB12017 Istari Lasterfahrer : the system works because me work

get slick like hardcore shit
king size dub
mad dancers make art

enjoy yourself
wanking with the darkside
jazz talks
die biene heinz

sequenced to death
think negative, act positive
from here to there
tainted breaks

till the break of dawning
bad boy come again
we are no robota

its 10th anniversity of sozialistischer plattenbau this year, so here the first real album by istari lasterfahrer, the chairmen of sozialistischer plattenbau. get crushed by his extraordinary sound with some happy hardcore inspired tracks like “get slick like hardcore shit”, “enjoy yourself”, “till the break of dawning” or his hit now first on vinyl from 2001 “bad boy come again” or some master of dubplate styled raggacore like “king size dub”, “wanking with the drakside” or “think negative, act positive” or the rest of this whacked up smacking ridiclious serious but not sober glibberish.

400 copies has been pressed.


dweller on the fringe, 1.12.2009:
“Istari Lasterfahrer has been doing his thing since the early 90′s and you can really feel the influence of that era on this, his first real full length album. Put gabber, early rave and early jungle in a blender, puree, add some guitar samples for garnishment and serve with a side of chiptune and this is what you’ll get.

There are way too many good tracks on here to do a play by play, but just know that this album is the doggie’s hangers. Amazingly, I can’t really find a track on here that I can say I don’t like, no joke. For the most part, everything on here is very mixable and on a fun, happy vibe. Favorite tracks? ‘Get Slick Like Hardcore Shit’ for it’s “All ya other DJ’s all a buncha jerks” sample fuckery. ‘MDMA’ for being possibly the best intro piece ever for a rave set, basically a ditzy girl describing her first MDMA experience with various delays and pitching effects over it. But the best track on here has got to be ‘Break Of Dawning.’ It starts with piano and the standard amens and then in comes a guitar sample that instantly reminded me of the one in Aaron Spectre’s ‘You Don’t Know.’ Then a female vocal saying something about “I’m shakin my ass till the early mornin” drops into the mix and is pitched up gradually, really driving things to a peak. All of the elements just work together perfectly and make up a track that could be weaved in and out to drive a dancefloor crazy. A real 4am kind of track.

So if you’re a fan of Istari’s past material, you’ll like this. Just think of it as the crown jewel in his catalog. And if his stuff is foreign to you but you like fun, ravey music, start here and work your way back. To put it simply, just run out and buy it!”


SPB12016 Dub 1 : Surface Noise


stand up


fullness thereof


this is the debut mini-album by dub1 from usa. he dropped one tune for the we bomb fi dub series. with this eight tracker he releases 6 dub tunes of melancholic harmonies and noised by the surface of time. two slightly distorted dub jungle tunes compliting this release which i am happy to have released.

300 copies have been pressed.

SPBCDR008 Schrankaffee : 87 – 93


1. Zeitverschwendung 00:54
2. Containerlove 01:45
3. Gehts Noch 02:03
4. ODAF 02:10
5. 10.000 Sachen 01:17
6. Schnee siegt über die Sonne 02:09
7. Ankurbeln 01:57
8. Schrankaffehymne 02:37
9. Stasi Punk 01:50
10. Wunderbaum 02:46
11. Party 05:32
12. Jungebärte 03:29
13. Klappe Zu 01:36

Label collaboration of sozialistischer plattenbau, tote medien and tim tim tonträger.

Punkband from Hamburg existing for 3 gigs. Members where: Itty auf Ex ( Itty Minchesta / AtomicTitCorporation, You Killed Me First ), Tim Tim ( Radiator 865, Java Delle, Infantillerie, Elektrisches Ich, Krawallerie ), Ernie Verflixt ( Istari Lasterfahrer, Heimatglück ) Paul Schokomöhle ( Jeniger, AtomicTitCorporation, Pencil Quincy ).

100 copies have been made.

SPB7019 Arrebite feat. Diamondog / LXC : Dubcore Vol.8

arrebite feat diamondog: gimme my microphone

lxc: microphonn dub (rmx)

“dubcore number eight is a pretty boxer, for your box. hard kicking jungle style tune by arrebitefrom brasil featuring diamondog on the microphone. flipside you find the dub version by lxc.

dweller on the fringe, 30.12.2009:
“The first thing that struck me about this record is the aggressive Diamondog vocal and how, even though I honestly can’t make out the words of most of it, the cadence and ferocity of it would have a really hyping effect on a crowd. Not a centerpiece, but a great bit for somewhere near the beginning of a set. The beats reminded me heavily of Enduser’s ‘Caustic Damage EP’, and that’s certainly a good thing. Simple but punishing. Overall, a great job integrating the vocal over a strong beat that allows it room to breathe.

LXC turns in a nice head-nodder using only a few snippets of the vocal, tons of delay and some serious BASS*. I see this version mixing well with some of the more frantic amen workouts in your crate and, on it’s own, taking the energy down a notch while still nailing people to the floor.

*Serious bass from a 7″? Believe it. This is mastered as loud as any 33 cut 12″ you’d care to put it up against.”


SPB7018 FFF : Dubcore Vol.7

your time is up

sodomize a rasta

here it flows on with the dubcore series! this time we have the king of raggacore from rotterdam, netherland. no other then the mightyfff himself! he has been legendary throu his releases on labels like mindbender, koolpop,sprengstoff recordings, clash records, ketacore and planet mu (just to name some that pop spontanious in my mind, cuase his breaks abuse record may be much longer). this little pearl lets you a) drop down hard in happycore and b) freak-on to maximum raggacore. enjoy!


dweller on the fringe, 1.12.2009:
“I’ve been following FFF closely since the first time I heard his Clash 7″ and he’s really a chameleon of sorts, having done many different styles and done them well. But this one is the kind of sound I tend to associate with him. That being breakcore and jungle with extreme ragga and rave influences. Not a hint of irony in sight, just ‘Ardkore brought into the 21st century and given steroids. This is his sound. The only record in recent memory that I think I could possibly mistake for an FFF production would be Pisstank’s “Ravecore Anthems.”

On this yellow 7″ you get one track more on the ragga side and one that is ravecore to the bone. “Sodomize A Rasta” is the faster of the two and utilizes hoovers, insanely chopped breaks and some of the same samples used in his “Punisher” track last year. But there is also some seriousness in it, as he drops a sample addressing the homophobic language and attitudes that pervade Jamaican dancehall culture and, by extension, much of the ragga jungle that samples from it. “Your Time Is Up” is centered around a great pitched up female vocal but also utilizes acidic elements and a piano line. A little less frantic and chopped, this is the more dancefloor friendly of the two tracks. The A-side is like a hammer to the face and the B-side more like a rubber mallet.

This is fast becoming one of my favorite FFF records, and that’s saying quite a bit when you look at his extensive back catalogue. These tracks are a little more out there than, say, his Planet Mu record and that suits me just fine. If you want ravecore that isn’t the butt of it’s own joke, track this one down.”


SPB12015 Various Artists : We Bomb Fi Dub Vol.4

Phokus + The Next: Smoke Ganja

Wadadda: Gimmie Gimmie

Mr. Boogie: Ghostship

Istari Lasterfahrer : Agonie

the 4th installment of the We Bomb Fi Dubseries drops it for the smoker crew on the a-side with a heavy stepper tune by the next together with phokus and a more meditation dub tune bywadadda. on the flipside it goes down into darkness with first time on spb mr.boogie from potsdam with his great ghostship tune. at least on the record is istari lasterfahrer with depression stepping tune agonie.

400 copies have been pressed.

SPBCD01 Classless Kulla & Istari Lasterfahrer : Nein, Nein das ist nicht der Kommunismus


1 Am Straßenrand der Gesellschaft
2 Uplifting Hardcore Communism
3 Ballade von Manfred
4 Erleuchtung & Berufung
5 Was wird
6 Flucht aus dem Plattenbau
7 Sexist Motherfucker – feat. Oona
8 Buffy The Slayer & The Angel of Death
9 Mass History
10 D-I-S-C-O
11 Communism Stole My Virginity (and I won’t shed a tear)
12 Der Rausch
13 Germany Might Trick Me Once
14 Jede Zelle
15 Dresden Calling
16 Dumme Dinge
17 Shenai Crumbling The Concrete
18 Der Takt des Geldes
19 Kontrollverlustprinzip

First release by classless kulla ( words and vocals ) and istari lasterfahrer ( digital audio data arrangements ).

1000 copies have been made.


Deutschland Welle Welt, 27.07.2009, Андрей Горохов:
“Компакт-диск выглядит устрашающе: на обложке черные силуэты Ленина, Сталина и Мао, их глаза закрывают красные полоски. Кто-то невидимый, находящийся за кадром, говорит: “Нет, нет, это не коммунизм!” Это и есть название альбома. Не на обложке, а на самом диске видно, что эту фразу произносит красноголовый, держащий в вытянутой руке желтое яблоко Карл Маркс.

Постарался писатель, блогер, рэппер Classless Kulla (“Бесклассовый классный”), музыкальное сопровождение обеспечил Istari Lasterfahrer (Истари – водитель грузовика), он же и издал диск на своем лейбле Sozialistische Plattenbau (Социалистическое блочное строительство). Песенки называются “Поднимающий дух хардкор коммунизма”, “Просветление и призвание”, “Коммунизм лишил меня невинности” и “Принцип потери контроля”. 

Поездка на грузовике

В первой песенке, которая идет более семи минут, лирический герой стоит на краю автострады и пытается остановить проезжающие автомобили, но никто не останавливается и не берет его с собой. Он размышляет о том, что это за водители, как они выглядят? Откуда и куда они едут, что у них в машине? А на заднем сиденье? Лирический герой приходит к выводу, что он предпочел бы, чтобы бы его подобрала машина совсем без водителя.

Тут подъезжает грузовик и забирает автостопщика. После недлинной интерлюдии заводится рассказ о том, как надо понимать символ водителя грузовика. В буклете присутствует картинка. В ней увязаны звезда Давида, треугольник, змея, кусающая свой хвост, яблоко, улыбка чеширского кота, молоток и морковка. Долго-долго идет полуироничный рассказ о том, что это все могло бы значить.

Конечно, альбом как путешествие, как поездка – это хорошо известный ход, но когда его применяют в лоб, он протеста не вызывает. Музыкант-шофер подбирает с края дороги радикального поэта и идеолога, и они едут вместе, поэт едет на музыке шофера.

НерэпТо, как Classless Kulla произносит свой текст, рэпом, конечно, назвать трудно. Нет специфической для рэпа смачности, вязкости, жирности, нет мачо-драйва. Зато есть многочисленные, вполне кустарные попытки говорить в разных стилях, на разной скорости, с разной выразительностью, как если бы ботаник решил стать рэппером. А ты слушаешь и не можешь догадаться: то ли он валяет дурака, то ли серьезен? Разве он не видит, что не тянет, что он не настоящий, не real? Или как раз настоящий, живой, реальный человек, который не должен тянуть широкоэкранщину и голливудщину самовлюбленной поп-музыки? И в этом дилетантизме, в неформатности, в желании сесть на все стулья сразу и с них свалиться и состоит шарм Classless Kulla.Продюсер Istari Lasterfahrer – известная фигура немецкого брейккор-андеграунда, для этого проекта он не стал особенно сильно закручивать гайку: грохота, шума, сверхбыстрой молотилки тут нет. Музыка звучит легко, джазовато и вполне разнообразно, меняя свой стиль от трека к треку. И сильно действуя на нервы своей всеядностью и разнообразием.Дело в том, что брейккор, с одной стороны, впитал в себя много разных музык. Брейккор – это фарш ритма и баса. В брейккоре все возможно. Но, с другой стороны, компоненты брейккора моментально узнаваемы. Брейккор консервативен, на любой вопрос у него один и тот же ответ: спотыкающийся ритм, браза! И полистилистика – когда после регги сразу идет полечка, а потом панк-аккорды – кажется навязшей на зубах и засевшей в ушах.

Cut up

И хочется возопить: ну, как же можно быть таким бесчувственным и не слышать, что тексты и манера Classless Kulla требуют совсем другой музыки, совсем другого отношения к музыке! Когда музыка расправляет свои плечи, все обаяние коммунистической пропаганды Classless Kulla пропадает.

Однако взгляд на блог Classless Kulla говорит: он сам этого хотел! В качестве эстетической программы приведено несколько цитат из книг философа Теодора Адорно (Theodor Adorno), речь там идет о том, что связность, выстроенность и скомпонованность – это средства мелкобуржуазного искусства, авангардист, то есть политически сознательный впередсмотрящий, применяет технологию cut up, то есть выстраивает произведение искусства из бессвязных фрагментов, не думая о гармонизации и целостности.

Следуя этому принципу, Classless Kulla призывает широкие трудящиеся массы делать ремиксы его текстов, что-то добавлять, что-то выкидывать. Казалось бы, вот она, утопия коллективного творческого труда в действии!

Но нет, в том же блоге видно, что его автору приходится долго объяснять, что в той или иной своей фразе он вовсе не собирался издеваться над идеей коммунизма или издеваться над музыкой регги и не усомнился в механизме капиталистической эксплуатации. Иными словами, более-менее свободное манипулирование с ошметками текста (добавлю от себя – вполне невинное и прозрачное) сразу приводит к замутнению партийной линии. И автор превращается в контрреволюционера и “пособника” медиа-глобализма.”


SPB7017 Handbag/abba : First Blood

baby elephant warpath


another message from handbag/abbasbreakcore-past. a 45 with tracks which were produced quick, unwary and many years ago. two washed-out raggapellas blended with two not so over-used “instrumentals”: henry mancinis “baby elephant walk” gives sense to elephant mans “haters want war” and the infamous “mah na mah na” starts a tune which gives the listener a bouquet of reasons for being a bad guy. even the cover-artwork and the liner-notes by art-historian john berger take up the cudgels for hanging loose with physical narcolepsis caused by all kinds of badman-isms. good that the wimpy stone roses wave this attitude goodbye and we can go back to business as usual after the slowed up record stopped playing! the beginning is the end: first blood is.

180 copies have been made, due to a breakdown of the stampers.


De-Bug, 3.11.2008, Multipara:
“Ob als Acidboychair oder Handbag/abba, reine Affirmation ist vom Meister der Falltüren nicht zu bekommen. Schon gar nicht, wenn es um die Breakcore-Szene geht und deren Art, sich im Umgang mit homophoben (u.a.) Raggalyricsamples zu verrenken. Hier wird der Knoten einfach durchgehauen. Halali-Mancini und Muppet-Moroder pflanzen gehörig Kakao in den Dschungel, und dann heißt es durchziehen für die Rambos mit den Ganja-Gurten, aber anders…! Bonus-Hilfestellung gibt das Artwork mit einem Schwenk zum Kunsthistoriker John Berger, das die Sublimiererschwadrone mit den Füßen voran auf den Boden stellt. Nicht dass wir uns missverstehen: Diese wichtige 7″ funktioniert grade deshalb, weil sie sich ins entsprechende Set nahtlos einfügt, in der Tat findet sie die perfekte Balance: Geh ab – aber steig mir nicht auf den Fuß dabei! Aber geh ab!… Einzig: Die zwei Tracks hätten schon vor Jahren ihren Weg auf Vinyl finden müssen und können. Mr. B. mit “Ways of Hearing”: Wenn es ihn nicht gibt, muss man ihn erfinden.”

SPB12014 Bruno & Michel Are Smiling / Skipperrr : C´Mon!

1. the red-haired man

2. such is live in the tropics

3. i´m gonna live till i die

4. wedding night
5. ring a ring o ’rosis
6. bombardment of lipgloss

1. GERMLIN remix
2. DJ SCOTCH EGG remix
(Puked Full Of Rosies)

the long awaited mini-lp by hamburgs best overdressed popgrind-harshswing duo now finaly released by sozialistischer plattenbau. bruno and michel are smiling and skipperrr back with six tracks of their own super-music and on the flipside remixes by germlin, dj scotch egg,istari lasterfahrer and mense reents.

400 copies have been pressed.

SPB12013 Toy Boy : Quick & Dirty Vol.1

but i think it`s only lust

and fire like that

never be the same


sozialistischer plattenbau drops the debut bytoy boy, the cute guy from next door you never ever had the strength to bag for a sandwich. dropping on 45 rpm four tracks of high infectous blends of bassline house, uk oldskool hardcore, 4×4 dubstep and a fist full of whatever.

300 copies have been pressed.

SPB12012 Various Artists : We Bomb Fi Dub Vol.3

the next: kabul

lxc feat. karlmarxstadt: rinzo

nickynutz & eka the mad samplist featuringjagan & mc stoneman: reflexe

jah seal: jah souldior (trcky d remix)

sozialistischer plattenbau is gladly announcing the third part of the bomb fi dub series. the first side starts in a dark & and spaced dub with the next from hamburgs dubstep crew wobwob. followed by a very experimental, flowting scatter dub by leipzigsalphacut boss lxc with karlmarxstadt who might be known as the bear part of society suckers. the flipside goes more down to raggae vibes starting up with the full voiced badass ridim by the belgium nicky nuts , known from his junglist label animal breaks, & eka the mad samplist featuring jagan & mc stoneman with french toasting. the record ends with a dubstep version of a jah seal tune maximized by no other then berlin residenttrcky d from tricky tunes.

new series cover this time done by mc mindfuck who is also part of hamburgswobwob crew.

SPB12011 Bambam Babylon Bajasch : Finest Brewed Dubplates

what you deserve

handy dj

bock drop


sniffing beer

hartzcore vibes

sozialistischer plattenbau is gladly announcing this vinyl release with colognes finest punky-raggae-jungle-dubstep-galore groupbambam babylon bajash. this record follows their second album on basspraesidium and brings some tunes from the cd to the wheels of steel to fire up dances everywhere. also their are some special versions and mashups added that not on their regular release.
starting up with “what you deserve” brings the whole bunch of bajash mcs in full effect. hitting lyrics in cologne and english to a driving breaksdub track. next track lets you remind on ta song by the smith - but here its all about doing partys with handys (well mobile phones of course!). last track on the a-side is “bock drop” a hot wanted tune by the infamous lords op de ring, set up here with heavy bass action and lyrics about going out with your writer crew.
flipside the opener is a junglist version of the tune “eierschaukel” – smacking punk raps on rocksteady breaks. the record ends up with two golden bajash mashup ttrack. “bear sniffing” goes gabbarish and hiphop chopped, while “hartzcore vibes” is uplifting oldschool rave shit.

350 copies have been pressed.

SPB12010 Istari Lasterfahrer : All Wrongs Deserved

kill a groove

my sound

can`t tek no more

tuffy dub

well here it comes the first spb 45 rpm 12inch vinyl. with four tracks by istari lasterfahrer. first side is a travel into newstyle jungle hardcore. kill a groove starts stomping and warping to drop into electro bass music, my sound is more into harsh ska-junglism.
the flipside offers a strictly dub style jungle tune. straight as oldskoolish and a typical istarione. the record ends with a smooth dubstep tune with swinging woodblock riddims, wobble bass and c64 harmonica freestyle melodies.

280 copies been pressed.

SPB12009 Various Artists : We Bomb Fi Dub Vol.2

wadadda: whole a dem
dj i.r.: what for

istari lasterfahrer: message
dub1: fox

the we bomb fi dub serie continous with its second part. featuring this time wadadda from cologne representing müllgrime and the church of grimetology. he brings a full load dubstep tune and should be known from his releases onmg77 and police in helicopters. again we have also dj i.r. and istari lasterfahrer on this 45 rpm record. the man from Irie Intavention/Stoopid Plastics from leipzig – mr dj i.r. - brings this time the maximum of minimal stepper and bass space with his dark tune. istari drops a razor bass stepper with some roots licks. the record ends with dub1from portsmouth, virginia, usa. the man fromdreadtek recordings drops a more roots dubber tune with some distorted backdrops.

SPB7016 Bambam Babylon Bajasch / Istari Lasterfahrer : Dubcore Vol.6

bambam babylon bajasch: mülltonn crew

istari lasterfahrer : the deal my dear

well after a longer thirst phase for all dubcore maniacs out there here is a sixed part of this series. this time bambam babylon bajashjoins with istari lasterfahrer for a clash.
bambam babylon bajash comes from cologne in germany, being a five men band and the first group that have cyberlocks on their head. they are know for their sweaty partys at colognes tsunami club and elsewhere in that aera. their debut longplayer on their own labelbasspraesidium was a bomb years ago, unleashing a blast of electro, breakcore, dub inna punk style with german, english and koelsch lyrics. they did also some remixes for werle & stankoski and for the band kurt. here on dubcore they explore the realms of dubstep some further.

istari lasterfahrer should be well know so i dont write much here. the tune on this dubcore is a kind of strange junglist piece with changing beats every 12 patterns and some dsped upped pop accapela joined with selecta voices with full dread bass for soundclash pressure.

pressed in hamburg for maximum yard style!

400 copies have been pressed.

SPB12008 Error 23

i like 2 wish 
what i am suppose
dirt is a color
spread and scatter
growing distance
stay 4 a second
2 cute
does it hurt
here i stand

2 feel for sure
this makes me wet
keep it shiny
glue it
no more waste
i hate my job
no power
expected something

call it like c64, or eight bit or whatever but here is the real deal by error23 and its called chip tunes. soundtracker driven minimal sample loops and bits to generate his sort of modern punkish anthems. some of these, mostly around one minute long tunes, are straight on beats with melodies that need no delay others are going into more like electronic idm styled programming.

23 tracks at all are collected on this 30 minutes playtime vinyl release by error23 from the years 2003 to 2004 mostly composed at his night-office-desk job in a hotel lobby. error23is a good friend of istari lasterfahrer and some might prove that he is even the same person. he released recently on some labels likeerkrankung durch musik on their sid musique compilation, on sozialistischer plattenbau a very limited 10inch and lalty on alphacute.

230 copies have been pressed.

SPB7015 Handbag/abba : Short Message Service

can`t stop

don`t cry

sozialistischer plattenbau proudly presents:
handbag/abba’s “short message service” 7inch. handbag/abba is back to his hardcore roots with two stomping gabberish tunes. one inspired by raggacore and uk garage and the other by rotterdam hardcore house, polka, acid and nick cave’s birthday party.

handba/abba is also known as acidboychairand he released a longplayer on the infamous munich erkrankung durch musique-label in 2005. inbetween the last months he stormed the
russian dance charts with his “let it be house” -7inch.

as handbag/abba he released a split 12inch with istari lasterfahrer and a split 7inch withdev 79 in the dubcore series on spb. he’s working on a longplayer under this alias.

the record contains a locked moondog-groove for all loop fetischists.

250 copies has been pressed.


De-Bug, 24.7.2007, Multipara:
“In diesem doppelten und tiefschwarzen Espresso ist alles drin, was man morgens braucht: Amen, Polka, Sägezahngabba, Rotterdamhooks, und im richtigen Moment: Floorbeben. Überhaupt geht die Single sehr schön nach vorne und hält das Chaos am Zügel. “Can’t Stop” auf der A-Seite erlaubt sich erst gegen Ende, kurz etwas auszufransen, damit die B-Seite (“Don’t Cry”) umso besser nochmal Gas geben kann, bevor sie uns mit einem Rätsel, wo man diese Marimbas schon mal gehört hat, die hier nonchalant in einen Loop hupfen, in den Tag entlässt. Wer die Rave-Seite der Society Suckers liebt, kommt an dieser Handbag/abba nicht vorbei. Und ich freu mich auf das Album im Herbst.”

SPB12007 Various Artists : We Bomb Fi Dub Vol.1

dj phkus: da loot
neurosis orchestra: 2tone

dj i.r.: dumbstep
istari lasterfahrer: bang soundboy

sozialistischer plattenbau goes on with its exploring of modernists urban dub sounds with the WE BOMB FI DUBS series. in fact the first part just to released with tunes by dj phokus,neurosis orchestra, dj i.r. and istari

dj phokus is actually well know throu his release on mg77 and represents hamburgs dubstep/grime posse which throws a monthly club session called next_lvl together with dj franky and mc mindfuck. on this release he gets deeper into grimy stepper dub tune called “da loot”.
neurosis orchestra is a trio from south london as they told, but the whole thing about this project is a mysterie. coming strong on this release with “2tone”, darken monoton dub with a big lethargig melancholic move forward.
flipside there is dj i.r. from leipzig, boss of thestoopid plastics record label and resident dubber and junglist at leipzigs true to the scen place zoro. dj i.r. delivers “dumpstep” the most smiling and experimental dub track on this.
last track is by istari lasterfahrer following his path found on the dubcore volume four with “bang soundboy” – a quite scattered and twisted tune with fresh bass tecnics.

limited to 350 cover and super cool series cover done by sami ala eddin!


De-Bug, 7.6.2007, Bleed:
“Brilliante Dubstepplatte für alle die mal die Grenzen des Genres richtig ausloten wollen. Mächtig in den Basslines, voller Samples die man nicht mehr aus dem Ohr bekommt und mit so überzeugend kantigen Grooves, dass man sich danach gerne auch mal für einen Octopus hält. Die Tracks kommen aus Hamburg, Leipzig und London und nichts lässt ahnen welcher woher sein mag, denn alle sind extrem deep.”

SPB7014 Various Artists : Pink Ponys vs Blue Bytes

frederik schikowski: mein kleines pony
(lords of the gabber remix)

karl marx stadt: blue box (lxxxc refix)

error23: bytes dont cry

lxc: dagegen II

in cooperation with alphacut here comes the second alphacute 7inch compilation with 4 awesome disco tracks.

500 copies has been pressed.

SPB12006 Itty Minchesta : Evergreens Of The Walkmensect



walkmen pt.1
i still have plans
drub b
hamburg is nich schuld daran
city nord

a boring life
like a box
blei pino silvestre
walkmen pt.2
checkin for u rmx
u r still there

this is itty minchestas first vinyl debut album. shes been working over the last years in several projects of her atomic tit coperation. first in the punk electro band broostkrew, then after the vanishing together with doctore legasto asatc or in the special booty hiphop project 2 wett. they released till now several limited cd-r records and a comic book. itty minchesta also released the semi-scientistic novell “die kopfhörer sekte”.

the main bussiness of the atomic tit coperation were always live performances with musical, lecture and video screen content. in their latest project they developed a gadjet where doctor elasto and itty minchesta could communicate over a long distance, so that they could perform on different locations on earth in sync.

from these last secrets of the walkmen sect project and some newer tracks are taken the content of this release.

for more infos to the atomic tit coperation:

play length: each side in 33,3 rpm the one side is 13 minutes with an infinitive loop and the other side is 16 minutes. comes with a a3 foldout sleave with writings in german.

400 copies have been pressed.

SPB7013 Kovert : Dubcore Vol.5

hybrid riddim – one drop mix


hybrid riddim – murderation mix

the dubcore volume five features kovert from brighton/uk. two versions of his hybrid riddim throws you into ruff dub jungle breaks of the harder yard. deep basslines, mashed beats and lots of open space filled with echoing and feedbacks.

kovert recently released on labels as peace off, sub/version, koolpop and smb recordslatly and coming up in the year 2006 on such asam.ex, sonic belligeranza and praxis.

500 copies has been pressed.


De-Bug, 15.5.2006, Bleed:
“Killertracks auch auf dieser 7″ des lässigsten Drum and Basslabels Deutschland, das sich immer leistet zu tun was es will. Oldschool und Jungle zu merkwüdig spartanischem Sound und gut durchdachten Effekten auf zwei Tracks die ich mir mal für den Sommer aufbewahre um sie als Hymne zu präsentieren. In meinem Block.” 

SPB12005 Istari Lasterfahrer : The Rabbit In Me

self blur onload
pepi house megamix

somewhere out there
the crying game
got to release

and again another charming release by istari lasterfahrer on sozialistischer plattenbau. this time no sample hunting mash up the top release. the first side kicks of with two idm breakcore tracks of the more popish melody side of the man of the thousend trashcan shattering. the third track then is a 220 bpm cutup break stomper of the more vicious side. flipside starts with a dark dub breaker melting urban sounds like ambulance sirens, fleas and spray can sounds. second track on side b is mixing hiphop beat techniques with heavy weight dub bass sounds. the record ends with a tiny calm piano electonics piece.

play length: round about 13 minutes on
33,3 rpm each side.

500 copies have been pressed.

SPBCDR006 Various Artists : Crispy Crappy Christmas Compilation

trouby / richard gore / doghouse / kid kozmoe / dr.combat / puchi-komi / e.stonji & instant report / jean bach / bantu mantra & patanjali / augsburger tafelconfect feat. mr. & ms. hawaii and lulu deluxe from kant / zfe / tlic / amboss / milan sandbleistift / lxc / karl marx stadt vs. hetzer / mimaklu splat vs alexdee / djsc / istari lasterfahrer / tzii / dev79 / handbag/abba

very special and limited christmas compilation only spread through the artists and sozialistischer plattenbau mailorder to christmas 2005. be lucky to get one!

limited to 66 copies. sloppy design and production!

SPB7012 e.stonji : nowhere.nside / pa_ca




e.stonji from ulm with two tracks of electronica, one may remind you on depeche mode the other is more droning piano idm.

added to this vinyl will be a mini DVD-R with
two videos and 10 remixes of the tracks on the
seven inch, served via slideshow clips and mp3
files on the digital media.

remixes by tomoroh hidari, lenz,
sonovo, intricate, trickform, afshar,
swimmingpool-productions, worlds-abart,
mimaku spldat and michael langlois.

500 copies have been pressed.


De-Bug, 15.5.2005, Bleed:
“Ein feines Release einer transparenten Single nebst Mini-CD mit Videos dazu von Stonji, der auf Pa_Ca so intensiv an verkanteten Soundscapes arbeitet, dass man ihn schon mit Lusine vergleichen möchte. Das elektroidere “Nowhere.nside” ist seine – sehr eigenwillige – Vorstellung von Elektropop, eine, die ich endlich mal nicht nur ertagen kann, sondern sogar irgendwie richtungsweisend finde. Sollten alle so machen. Wird aber wohl nie passieren.”

SPB12004 Istari Lasterfahrer : Battybwoy Soundclash Massive

teach dem - mp3
living in concrete - mp3
attention dsp bwoy - mp3


to me battyman massive - mp3
about 2 break - mp3
post potential house music - mp3

final another 12inch release by istari lasterfahrer after releasing on mental industries, mash records and sprengstoff latly again some ragga mashing for no(?) reason and for the final(?) time. who knows. anyway get yourself teased with various music styles like gabbadub, jungle scratching, dsp-out-of-time-sign-grinding, idm dancehall, ragga-metal-core and gabbahouse.

play length: round about 12 minutes on
33,3 rpm each side.

700 copies have been pressed.


De-Bug, 15.5.2006, Bleed:
“Für so einen Titel würde er in Jamaika glatt gekreuzigt. Aber die Tracks sind sehr albern und sympathisch. Klassische Oldschool-Verwirrungstaktik mit Stakkato-Amen und bollerndem Bass, hochgepitchten Vocals und viel digitalem Spass mit der Drum and Bass Oldschool. Eine Schallplatte, die Jah auf Heavy Rotation hört, falls er mal wieder Albträume bekommt, weil was mit seiner Schöpfung schon wieder aus dem Ruder läuft.”

SPB12011 Istari Lasterfahrer : Dubcore Vol.4

fuck with my crew

sound gets dropped

istari lasterfahrer gets back to the score with a two track 7inch. two tracks for serious soundclash lovers. first side is a killer jungle breakcore mashup to all crews who like to fuck with other crews. flipside is more serious stuff for all dub soundsystem selectors. crossing idm breaks with dub technics in a grime spead up. the second side is switchable between 33 or 45 rpm. pressed on more violet vinyl in a nice pink handsprayed cover design.

SPB7010 Enduser / Istari Lasterfahrer : Split

enduser : the glock dub

istari lasterfahrer: sounded intelligent

this one is a coproduction with leipzigs rising label stoopid plastics. enduser, head of sonic terror records, and latly uprising breakcore star is throwing in a vocalised jungle stepper track with bright bass lines. flipside there isistari lasterfahrer with a more mashed up jungle dub track.

500 copies have been pressed.

SPB7009 Handbag/abba / Dev 79 : Dubcore Vol. 3

handbag/abba : poor people feed up with memories


dev79 : stop, look, cut the dj

dubcore volume three is another two track 7inch this time with a bit far out ragga cutups. one one side we have handbag/abba mashing up two ragga accapellas with a sort of deathmetal drums, gabba bass kicks and lots of noizy breaks. handbag/abba is one personality behind the mysterious acidboychair music group from hamburg germany. now one knows for shure but we know he also does djing as dj dc schuhe and does some acid stuff under the name acidboychair gold sounds and then seen doing kind of tek-hip-house as bassline baldwin. the other side we have dev79 from Philadelphia. dev79 is into many scenes sounds too. hiphop, dub, breakcore, illbient and idm. on this plate he offers a midtempo breakcore ragga mashup.

400 copies have been pressed.

SPB7008 Regrub : Dubcore Vol.2

after actual alien anal absorption

the curry groccer man

“The story of RegRub is one of coincidence, differences and experiment. Having developed a passion for music throughout the years, both members have quite an experience in different musical genres. Ranging from jazz, modern classical music, hiphop, minimal electronics, drum’n’bass, ambient and breakcore, these guys take you on a safari once you put on one of their tracks. With cunningly programmed beats, crispy noises and carefully distorted sounds, you got to keep focussed on what’s happening, or else you’re left behind…”

on dubcore volume two these guys presenting two different tracks. “after actual alien anal absobation” is a bastard between gabba and breakbeat switching from hiphop to faster speed, much bass punch and lots of noise drones in the air. raggae and disco loops are thrown in for no reason. flipside “the curry grocer man” is noise breakcore fun with dancehall music, buju banton would be pleased.

300 copies has been pressed.

SPB7007 Parasite / Istari Lasterfahrer: Dubcore Vol.1

parasite: we got to organize
istari lasterfahrer: we got the rythm


istari lasterfahrer: bombaclat
parasite: bass terror 98

the first one of the dubcore series was started as an 7inch ep. parasite from bristol, chairmen of deathsucker records, joined here istari lasterfahrer.

600 copies have been pressed.


De-Bug, 25.4.2003, thaddi:
“Breakcore wird nie sterben. Warum auch!? Komplett wahnsinnige Tracks wie die hier geben Kraft. Prima. Parasite ist mindestens 50 Bpm zu schnell und wahrscheinlich deshalb so unnachvollziehbar großartig, vor allem wenn dann gen Ende diese Gespenstermelodie kommt. Herr Istari kennt seinen Amen seit jahren persönlich, dreht die Mitten rein, cuttet mehr als korrekt und dreht am Filter was das Zeug hält. Jajajajajaja! Umgedreht, da kommt er gleich schon wieder und jetzt wissen wir auch, warum das hier Dubcore heißt. Zum Schluss nochmal Parasite, der dieses Samples wieder ausgräbt, dass Alec Empire damals zum Überhit machte. Das fühlt sich gut macht. Heute immer noch.”

SPBCDR05 Nullkommajosefh : Safari Snapshots

this was a release as cd-r and also as double c-15 tape. nullkommajosefh is someone from rostock as far as i remember.

23 copies have been made.

SPB12003 Istari Lasterfahrer : What Do You Want / Do You Think

do you think
licence 2 dubplate
proud of what ?

charged 4 ganja
in the ghetto
government of coperations

label split release with sprengstoff recordings from berlin and spb is this 8 tracker. styles are vary from jungle/breakcore, abstractism warpbeats, dub and some 4/4 beats. get around 30 minutes of fast shit noise. this got a double title. so its maybe two 7 inch eps materialized on one 12inch.

370 copies have been pressed / 200 more copies repressed.

SPB10003 Error23 : esc

boot theme
system error,
virus of 1984
happy hacker

pokemon episode 38

45 rpm – 10inch – 32 copies made with blacklight color silkscreen printed cover.

SPB7005/7006 Various Artists : $kills Music

bruno & michel are smiling with skipper : faith
istari lasterfahrer: they don`t give a tiny, bad smeling piece about us

moonwhacker: phoney
saoulaterre: i wish i was a greyface
redcode: bad

parasite : mj crash
hayate & pioughd: zecke over neverland


minus ktv: c.r.e.a.m
error23 & repogrrl: no shot till money drop

double 7inch concept package with 8 tracks and 4 locked-grooves. 8 keep it up with the man from neverland, whos been ripped by his label. flip yourself throu ginding digital punk, junglecore cutups, electronique, collages and sample terrorism.

First press been 350 copies second press another 200 copies third press 200 more copies.

SPB12002 Istari Lasterfahrer / Handbag/abba : Judge Dread / Acid Explosion

istari lasterfahrer side:
8 tracks untitled - mp3

handbag/abba side:
7 tracks untitled and 1 locked groove - mp3

“…Inspiration appears as a mental excitement and exaltation in general. I prefer to use the term ecstasy when inspiration has grown so strong that the inspired person has lost full control of himself. …”

“… She said: What is history? And he said: History is an angel being blown backwards into the future. He said: History is a pile of debris and the angel wants to go back and fix things to repair the things that have been broken, but there is a storm blowing from paradise and the storm keeps blowing the angel backwards into the future. And this storm, this storm is called progress. …”

“… Many people imitate the show. The other night, I watched a dozen people guzzle gallons of milk until they puked. Years ago, this sort of thing wouldn’t have occurred to anyone, and if it did, it’s doubtful they would act upon it. …”

co-production with acidboychair gold soundz.

500 copies have been pressed.

SPBCDR004 Istari Lasterfahrer : Do Not Enter

this was a release with the soundtrack for jürgen hansens movie “do not enter”.

15 copies or so have been made.

SPB12001 Various Artists : Bio[me]tricks

eiterherd: sick
subdual vs.antiartich : ACABOADCIAGC
brunoandmichelaresmiling: look at all these lovely colorfull bubbles
yppasswdd daemons: stunde um stunde
dr.eck: butchers society
istari lasterfahrer: kill the root
low entropy: they live

istari lasterfahrer: my first implant
josef + gorki plubakter: stop! arretons de nous vendre
alexdee: for o.s. (persAuswG$1 Absatz 4-mix)
5xpi: apostasy
slackism: phatologisches wohl

first 12inch release is this compilation longplayer. the theme of the records aimed the technical surviallence and evading tactics. with the record came a text which was translated in german, french and english.

500 copies have been pressed, 100 of them in clear-green vinyl.


De-Bug, 25.7.2002, thaddi:
“Absolut wunderbare Compilation LP vom Plattenbau aus Hamburg, irgendwo zwischen überkrachtem Amen-Break, sympathischem Noise, oldschooliger Darkness, Raggaquatsch und richtig gutem HipHop. Mit von der Partie: Eiterherd, Yppasswdd Daemons, Istari, Low Entropy, UHT (jetzt HipHop) oder Slackism. Hätte nie gedacht, dass mit sowas nochmal so gut gefällt, aber hier ist einfach jeder Track ein Bringer. Vielleicht ja auch, weil die ganzen Hardcorekids mittlerweile auch gute Rechner haben und das Material einfach um Meilen besser klingt als damals. Vielleicht, weil sie dazu gelernt haben. Vielleicht weil die Grenzen zwischen den Genres sowieso niemanden mehr interessieren. Vielleicht weil Hardcore immer noch so wichtig ist wie am ersten Tag. Unbedingt ans Herz gelegt. Killerplatte!”

SPBCDR03 Various Artists : Concrete Massiv Vol.1


1 Jungle Youth – Luvstyle
2 Istari Lasterfahrer – Brainwashed
3 D0:General – Moonshinesurprize
4 Bass Buccanier – Smoke
5 New Generation(2) – Are You?
6 Dj Bag – Dubwatcha
7 Break Substance – Fast Forward (Dubplate Mix)
8 Subconcinous Minds – Everybody Wanna Be
9 One Crew Of Many – Junglevibe (Feels So Good)

this cd-r were made for the pofpof jungle party at the artgenda festival in hamburg 2002.


track 1 is published by ruff´n´tuff rec.
track 2 is published by sozialistischer plattenbau
track 3 is published by new front rec.
track 4 is published by bad boyz rec.
track 5 is published by ground zero rcordings
track 6 is published by lion riot
track 7 is published by burn industry burn records
track 8 is published by lion riot
track 9 is published by headless raving

All tracks written,produced,recorded,mixed by istari lasterfahrer 96-2002.
ruff´n´tuff rec.,new front rec.,bad boyz rec.,ground zero rcordings,lion riot,burn industry burn records and headless raving are subdivisions of sozialistischer plattenbau hamburg.
limited to 20 copies or something.


SPBCDR002 Demodulizer : Foreign Affairs


1 Help Me God
2 American Architecture
3 Values
4 God Sake
5 Glory, Glory

Arranged and produced in 2002. Demodulizer is a sub-mind of Istari Lasterfahrer.

Limited edition of 40 copies worldwide.

SPB10002 Verfolger


für jedes tier
bildung tat weh
antifa heisst angriff

300 copies has been pressed.


De-Bug, 18.6.2001, thaddi:
“Erfrischende Krach aus Hamburg. Hier treten allerhand Breakbeats und andere Geräusche gegen altertümliche Filter an, versuchen sich zu behaupten und gehen gemeinsam unter. Es regiert der Treble, der Harshnoise, das Fiepen. Es tut weh, aber es ist ein guter Schmerz. Ein vernünftiger Vinylschnitt hätte hier aber sicher trotzdem geholfen. Und dann immer wieder die Breaks, die so klingen als wären die von TG persönlich präpariert worden. DJ Scud wird diese Platte lieben. Cool. “

review from bad alchemy 38:
“the kollaboration of tbc (wachsender prozess) and the zeichentrickfilmer torben k. does seem to hold their microphones directly into the water thrower on the last antifa demo. the high noise level makes jumping around impossible. the street is not a disco. the view of the facts is clouded and distorted however not more cloudy and distorted than the view on the prospects. the police club anyhow did the rythmusbox not well.”

Testcard #10, Martin Büsser:
“Daß selbst die stabilsten Plattenbauten einsturtzgefärdet sind, zeigen uns Verfolger (das sind Thomas Beck und Torben Knopp) mit markerschütterndem Industrieschrott-Sound. Industrial-Kakophonie zwischen japanischem Distortion-Apokalypse und Spalttabletten-Disco. Aufgenommen in der Roten Flora im Sinne einer bewußten politischen Kontextualisierung. Wer sagt, daß Industrial-Noise inzwischen notgedrungen rechts codiert ist? Unsinn. Die Musik ist unschuldig und der Kontext frei wählbar. Es sind die Menschen, nicht die Klänge, die spinnen.”

Bad Alchemie 38:
“die Kollaboration von Thomas Beck (TBC, Wachsender Prozess) & dem Zeichentrickfilmer Torben Knopp, scheint bei der letzten Antifa-Demo die Mikrophone direkt in den Wasserwerferstrahl gerichtet zu haben. Der hohe Lärmpegel macht jedes Rumgehopse unmöglich. Die Straße ist keine Disko. Der Blick auf die Fakten ist getrübt und verzerrt, aber nicht trüber und verzerrter als die Aussichten selber. Der Polizeiknüppel hat jedenfalls der Rhythmbox garnicht gutgetan. Die ‘Rote Flora’-Piraten rüsten zum gegenschlag.”

SPB7004 Various Artists : Ihr wollt Kunst und Kultur

deep : bam bam bohle
nhlsm : frankophonI
nhlsm : kuhhandel
nhlsm : frankophonII


istari lasterfahrer: weekend kids
istari lasterfahrer: arcade dont stop
istari lasterfahrer: hate track #18
istari lasterfahrer: commercial rubbish
slackism : 3/11/00
slackism : 22/1/01

four way four labels and four artists split release. slackism of cmplct#27, istari lasterfahrer of sozialistischer plattenbau, deep from dhyana records and nhlsm joined here.

“More puzzling is a 7″ with four bands. Istari Lasterfahrer offer four short tracks of gabber like techno with a political edge (‘I hate hitler’ is the text of ‘hate track # 18) and the longest piece is ‘Commercial Rubbish’. Crude stuff. Slackism offer a more subdued outing of droning ambient loops, but in a rather lo-fi mood. Deep is a bit more known, from their previous releases on Dhyana, but who offer a less dubby outing then before, but again also a sort of lo-fi guitar rumble over a not so consistent rhythm. Nihism is the last band and they are from Switzerland. More traditional rock like songs, with guitars and drum machines and sound overall really lo-fi and a bit outdated (and least produced here).”
by vital weekly 293,Staalplaat

300 copies have been pressed.

SPB10001 : Istari Lasterfahrer : Infokalypse

good morning


500 copies have been pressed.


c8, kovert: “A four track mini LP from Hamburg, two tracks of which: “Infokalypse” and “Panoptikum” paste the splinters of exploded jungle breaks back into gradually evolving reconstructions. “Panoptikum” has a deeper almost underwater feel and is preferable because of it. Preceding Panoptikum is a short burst of, old synth introduced, vari-tempo amen snares fighting with crunchier beats for air space. The last track on this side is the most useful, reminiscent of the “Ab-hinc” material on Widerstand: a spacious tense mix of darker synths, noise snippets and full and half speed beaks; the stepping break that’s used is given a tinny treatment at first, functioning more like a hi-hat, before taking on a fuller role later.”

De-Bug, 1.1.2000, Bleed:
“10″ mit vier vertrackt krümeligen Breakexperimenten plus Intro die scheppern wie die tausend Mülltonnen Gottes und dabei dennoch sehr konzentriert wirken. Lofijunk der besten Art. Kellerkinderbreaks mit Attitude und ohne Style. Man versteht nach dieser Platte immer besser warum soetwas wie Sozialistischer Plattenbau nicht nur ein Name für ein Label ist, sondern gleichzeitig auch noch sein Konzept. “

Testcard #10, Martin Büsser:
“Weniger bruitistisch, aber auch nicht gerade beruhigt geht es da auf der Infokalypse zu. Dunkel frässender Drum’n’Bass, Kid 606-Angriffe und stolpernde Beats. Schweres Gerumpel, von Einheitsbrei weit entfernt”

Bad Alchemie #38:
“Infokalypse von Istari Lasterfahrer, also vom Labelmacher Felix R. selbst, mischt industriale Reminiszensen mit tieffrequenten Bassprobebohrungen und Drum’n’Bass-Gezucke. Die harsche D’n’B-Rhythmik, wenn auch verfinstert und verlangsamt, ist das durchwegs dominante Elemantm allerdings befrachtet mit Eisen und Beton. Der wahre Soundtrack für die Brummispur durch den Dschungel der Nacht.”

SPBCDR001 Yppasswdd Daemons : Cracked in 2000



1 Video Part
2 Passwd Checker 3:38
3 Datasette 2:47
4 -Tcp Packet 1:50
5-1 Melissa 4:54
5-2 Opendatafile 4:03
6 Bin/Ksh/ 3:21
7 Denial Of Service 4:23
8-1 Backspace_Virus 3:37
8-2 Networking 7:42
8-3 Transfer Protocol 8:08

Sleeve looks like old floppy disk 3.5 with a sticker with info Comes with a small 8 pages “user manuel” 42 hand numbered copies

track 1 is a movie, live at ms stubnitz in 2000, tracklisting : Passwd Checker, I Am A Virus, Denial Of Service, Port Scan tracks 2 & 7 taped live at Astra Stuben in 2000
tracks 5 & 6 taped live at Schilleropa in 2000

also a small piece of paper telling :
last minute bug info
track 1 of the cd is the data part of the cd-r containing the movie, please start with track number 2 if listening on cd player.

and follow these guidlines to advance the lifetime of your cd-r :
- do not waer this cd-r as a amulett
- don’t expose the cd-r to bright sunlight
- do not play frisby with the cd-r
- do not use the cd-r for dust catching in your flat
- never ever paint or brush or scratch on the cd

SPB7003 Istari Lasterfahrer : Diktat der Maschine



reinhard from westberlin distro: “locked up breakbeats, cracking synths and a correct pop track, on which the sound chips dance here dearest, meet then dark ambientic and one in the deep of printed circuit boards erred funk-stepper… respect respect.”

came with a small A7 xerox copied booklet.

200 copies have been pressed.

SPB7002 Yppasswdd Daemons : traceroute to

hack me too
pci slot
high score

erase yourself

review from debug 1999:
“who did not detect, should reconfigure its domain name server, the is naturally www.microsoft.com. On the way there is first times a love song (“HACK ME DO “) the equal rights ajar against the great Beatles’ hit, then, surprisingly fast, already comes it on ” PCI Slot “, and there it takes the manual to the 7inch quite exactly, to a sexual coming out between scuzzy controller and computers, and to the pastime there is something to play on ” High Score “. And we were not yet times with titelsong. There it goes traveling around for a long time around the world, with sayful stopovers such as IR-Perryman1.WIN-IP.DFN.DE left over dante.net up to traitorous quiet on the last 12 Hops. Who sais the world is full of paranoid ideas, should better take a view into the web. In addition still as bonuses a Song over Melissa of and one over the erase button. 
Great. Bleed *****”

100 copies have been pressed. Another 100 copies have been repressed later.


De-Bug, 1.1.2000, Bleed:
“Wers nicht erkannt hat, der sollte seinen Domain Name Server rekonfigurieren, denn ist natürlich www.microsoft.com. Auf dem Weg dort hin gibt es erst mal ein Liebeslied (“Hack Me Do”) der Gleichberechtigung angelehnt an den großen Beatles Schlager, dann, überraschend schnell, kommt es auf “PCI Slot” schon zum, und da nimmt es das Manual zur 7″ ganz genau, sexuellen Coming Out zwischen scuzzy Controller und Computer, und zum Zeitvertreib gibt es auch etwas zum Spielen auf “High Score”. Bis hierhin haben wir einiges an akustisch extrem unterhaltsamen und sehr ernsten Irrsinn über uns ergehen lassen, und wir taten es mehr als gerne, und, ehrlich gesagt, und so ein Platte kann von einem eine Ehrlichkeit erwarten von der man sich selber vorher manchmal noch gar nicht bewußt war, daß man sie hatte, und wir waren noch nicht mal beim Titelsong. Da geht es um lange Reisen um die Welt, mit sagenhaften Zwischenstationen wie IR-Perryman1.WiN-IP.DFN.DE links übers dante.net bis hin zu einer verräterrischen Stille auf den letzen 12 Hops. Wehr behauptet die Welt wäre voll von paranoiden Wahnvorstellungen, der war noch nicht im Netz. Dazu dann als Bonus noch ein Song über Melissa und einer über die Erase Taste. Groß. “

SPB7001 Istari Lasterfahrer : Master Of Beo

u pay 4


master of beo
hardcore junglistic

first release of sozialistischer plattenbau. featuring three jungle / breakcore tracks by istari lasterfahrer. these tracks where done with a soundtracker and mixed down to a audio cassette. this was actually done by the first four spb releases.

the record came in extra fat 80g 7inch with dark-violet transparent vinyl.

100 copies have been pressed.


De-Bug, 1.1.2000, Bleed:
“Das noch junge und sehr vielversprechende Label startet mit einer komplett brummeligen punkigen Drum and Bass 7″ in Weingummirot ohne Bremsspuren. “Upay4″ klingt wie die UK Subs auf Extasy. Onetouch Sampletechnik, Jumpupeuphorie vom feinsten und in jeder Hinsicht gepflegter Musik ein Affront. Wir findes großartig, und kickt ganz schön viel schärfer als Atari Teenage Riot btw. Auf der Rückseite dann gleich zwei Medleys der beliebten 95 Breakbeatzeit, als die Raggas noch nicht auf den Bäumen saßén, sondern vor Lachen in den Kniekelen hingen. Das “Hardcore Junglistic” Anthem scheppert einem das gute Twostepbewußtesein zwischen die Beißérchen. Eine typische 7″. Und ein Beweiß dafür, daß weniger Platz auch immer gleich mehr Spaß heißt. Lang lebe die 7″ Liberation Front. “

Über den Widerspruch Nr. 8, Mirco:
“Es kommt Bewegung in die Elektrofraktion: der junge Istari hat sein Geld nach Tschechien getragen und eine ca. 2cm dicke Single rausgebracht, die 3 gute Stücke Jungle und drumandbass enthält. Beim ersten Stück kommen auch die altpunx auf ihre Kosten, den es ist ein crass-remix; schon damit kann man bei mir punkten ohne ende. Von dieser ersten Single des sozialistischen Plattenbau-labels gibt es nur 100 Stück, von denen ich bereits die Nr. 45 in Händen halteM der Vorrat ist also begrenzt und man muß jetzt zugreifen oder sich später ärgern, Das hier iist Punk.”